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Chronicles

The story behind the story

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Sources: Apple is asking the publishers participating in Apple News+ for permission to produce audio versions of stories, with Apple handling production costs

Apple News+ is pivoting to audio.  —  Over the past several months, Apple has been asking the publishers participating …

Digiday Max Willens

Context & Ripple Effects

Apple News+ launched on a 50% revenue split that sources said was unlikely to satisfy major newspapers, and by mid-2019 publishers were reporting returns far below what Apple had pitched — one put revenue at one twentieth of projections. The audio push reads as Apple's attempt to add value to a bundle whose economics haven't won publishers over.

The move also follows an established Apple playbook in News: the company paid BuzzFeed for first-window rights to a documentary series plus a cut of ad revenue when it wanted premium video. Now it wants text stories converted to audio, with Apple absorbing production costs — again funding the format itself rather than paying publishers per piece.

First-order effects

  • Publishers in News+ face a rights decision: granting Apple permission means free audio production they couldn't otherwise fund, but hands Apple control of a derivative format of their journalism inside Apple's walled bundle.
  • Apple gets a cheaper path to differentiating News+ against rival subscriptions without licensing new content — repackaging what it already has.

Second-order effects

  • Publishers with their own audio ambitions must weigh whether Apple-produced versions cannibalize their podcasts or branded audio, since the same reporting would exist in two places under different controllers.
  • Rival news bundles and audio platforms face pressure to match the format play — either producing audio themselves or offering publishers better terms than the split that already disappointed them.

Third-order effects

  • If the pattern holds, publishers drift further toward being multi-format suppliers to platforms: text, video, and now audio all produced or funded by the distributor, with the platform owning the listener relationship and the data.
  • It also extends the trust friction already visible when Apple changed News+ traffic rules without telling partners (publishers said they weren't notified) — each new format Apple takes on increases its control over how publisher journalism reaches audiences.

The trend: Subscription news bundles are expanding from text into platform-funded multi-format products, shifting publishers from licensees of their own journalism toward suppliers inside someone else's app.

Discussion

  • @rstephens Robert Stephens on x
    Getting closer to the day when you can “listen” to your twitter feed as a streaming, real-time podcast that runs on and on. I can't believe this hasn't been done yet. If you like podcasts, imagine audio Twitter. https://twitter.com/...
  • @mgsiegler M.G. Siegler on x
    Behold: a good idea. https://twitter.com/...
  • @kerrymflynn @kerrymflynn on x
    “Over the past several months, Apple has been asking the publishers participating in its year-old premium program for permission to produce audio versions of the stories distributed there... Apple will handle production costs, and compensate publishers...” https://digiday.com/...
  • @chrismoranuk Chris Moran on x
    ‘Apple News+ is pivoting to audio.’ Yikes https://digiday.com/...
  • @marklittlenews Mark Little on x
    Pivot to audio? Smart publishers should definitely be testing audio versions of their articles. But on their own digital platforms (and/or with smart, agile start-ups like @newsoveraudio) https://digiday.com/... via @digiday