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Chronicles

The story behind the story

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Studios try packaging their media units for TV, film, and shortform video together when offering deals to talent in order to compete with Netflix

Bryn Elise Sandberg / Hollywood Reporter : Tweets: @thrmattbelloni and @natjarv See also Mediagazer Tweets: Matthew Belloni / @thrmattbelloni : New @THR: The Netflix Bubble in Hollywood is getting a lot of people paid a LOT of money.... http://www.hollywoodreporter.com/ ... Natalie Jarvey / @natjarv : Lots of great details in here about how Netflix has changed the talent game http://twitter.com/... See also Mediagazer

Hollywood Reporter Bryn Elise Sandberg

Context & Ripple Effects

Studios' move to package TV, film, and shortform video into single talent deals is the latest escalation in a fight that started when channels began fretting over Netflix's drift toward a near-monopoly in entertainment back in 2016. Regional players floated banding together to outbid Netflix on content rights that same year, but the threat has since moved from rights auctions to the talent layer itself: with Netflix's expected $6B+ spend on 70+ originals driving up costs and locking up creators, individual divisions can no longer win bidding wars alone.

Bundling across arms is the studios' answer — pooling every medium they control so a star's overall paycheck competes with what Netflix can offer for one show. It matters because it converts the studios' fragmented structure, long a weakness against a single-payer streamer, into the basis of their counteroffer.

First-order effects

  • Talent now negotiates with studios as whole companies rather than individual TV or film divisions, so actors and creators weighing a Netflix offer must compare it against a multi-medium studio package instead of a single-series deal.

Second-order effects

  • Netflix's cost advantage on any one medium is blunted: rivals who once complained it was hogging talent can now match total compensation by stacking film, TV, and shortform commitments, forcing Netflix to bid on breadth rather than just price.

Third-order effects

  • If cross-division packaging becomes standard, the studio divisional silo — the unit through which Hollywood has priced talent for decades — erodes toward company-wide exclusive deals, prefiguring the convergence where Netflix itself starts resembling the entertainment giants it disrupted.

The trend: Hollywood dealmaking is consolidating from per-show, per-division contracts into company-wide talent packages as the only viable counterweight to streamer spending power.