/
Navigation
Chronicles
Browse all articles
Explore
Semantic exploration
Research
Entity momentum
Nexus
Correlations & relationships
Story Arc
Topic evolution
Drift Map
Semantic trajectory animation
Posts
Analysis & commentary
Pulse API
Tech news intelligence API
Browse
Entities
Companies, people, products, technologies
Domains
Browse by publication source
Handles
Browse by social media handle
Detection
Concept Search
Semantic similarity search
High Impact Stories
Top coverage by position
Sentiment Analysis
Positive/negative coverage
Anomaly Detection
Unusual coverage patterns
Analysis
Rivalry Report
Compare two entities head-to-head
Semantic Pivots
Narrative discontinuities
Crisis Response
Event recovery patterns
Connected
Search: /
Command: ⌘K
Embeddings: large
TEXXR

Chronicles

The story behind the story

← → days · ↑ ↓ browse · Enter similar · o open

Draft: a trade group representing the NYT, the Post, Disney, and NBCUniversal tells members that AI tools trained on their archives could break copyright laws

Ryan Barwick / Marketing Brew :

Marketing Brew Ryan Barwick

Context & Ripple Effects

This warning is the opening move in the archive-copyright fight: weeks after the trade group told members like the NYT, the Post, Disney, and NBCUniversal that AI tools trained on their back catalogs could infringe, sources reported [[a:841163|OpenAI, Google, Microsoft, and Adobe meeting News Corp and the NYT to discuss licensing fees]]. A month later, IAC, News Corp, the NYT, and other publishers moved from warnings to organizing, forming a coalition to push for AI laws and lead a lawsuit against AI firms.

The significance is that the trade group converted diffuse publisher anxiety into a shared legal posture — treating archives as enforceable IP rather than fair-use raw material. Everything downstream, from the Alden newspapers' suit against OpenAI and Microsoft to Disney limiting AI use of its IP and suing Midjourney, runs through the position staked out here.

First-order effects

  • Members including the NYT, Disney, and NBCUniversal gain a documented basis to treat their archives as potentially infringed assets, putting every AI vendor trained on that material on notice.

Second-order effects

  • AI firms respond commercially within weeks — the reported meetings over a possible subscription fee for publisher archives show vendors preferring licensing to litigation risk, while the publishers' coalition prepares the legal hammer if deals stall.

Third-order effects

  • As the NYT's own analysis frames it, the resulting lawsuits may either redefine copyright for AI or simply serve as leverage for more favorable licensing terms; the Disney case shows both tracks running at once — suing Midjourney while negotiating with OpenAI — and the WGA-AMPTP deal supplies the labor-side template of paid compensation for training use.

The trend: Publisher and studio archives are shifting from free inputs for LLM training to negotiated, licensed — or litigated — licensed assets, with the threat of lawsuit functioning as pricing power.

Discussion

  • @ryanbarwick Ryan Barwick on x
    Scoop: a group representing the nytimes, wapo, and other newsrooms is reminding publishers that AI tools built on their journalism could be breaking copyright laws. OpenAI representatives met with a group of publishers back in April👀 https://www.marketingbrew.com/ ...
  • @paleofuture Matt Novak on x
    “Sam Altman, CEO of ChatGPT-maker OpenAI, told the Wall Street Journal that the company has ‘done a lot with fair use’” https://twitter.com/...