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iPad 2 will have the same cameras as the iPod touch

Oh, hello.  We've done some digging in the latest SDK it looks like Apple's much rumored second-generation iPad will not feature some fancy 5 megapixel camera, but will instead shoot your flicks and take your pics with something close to a 1 megapixel camera.

9 to 5 Mac Mark Gurman

Context & Ripple Effects

The case for cameras in Apple’s next tablet had already been building through an apparent iPad 2 camera interface and FaceTime, Camera and Photo Booth icons in the software. The SDK inspection narrows that story from whether the hardware exists to what role Apple appears to intend it to play.

A camera near iPod touch quality would make the addition more consequential for video calling and lightweight in-app capture than for high-resolution photography. That is a meaningful product-positioning choice as Apple expands the iPad’s built-in media features.

First-order effects

  • Apple appears to be positioning iPad 2’s cameras around FaceTime, Photo Booth and basic capture rather than a 5-megapixel photography upgrade.
  • Prospective iPad 2 buyers expecting a high-resolution rear camera would instead face imaging hardware close to the iPod touch’s class.

Second-order effects

  • Developers using the camera capabilities signaled in the SDK would need to design iPad experiences around low-resolution capture, favoring communication and simple sharing features over detailed still imaging.
  • Apple’s differentiation for iPad 2 shifts toward the software experiences enabled by its cameras, since image quality would not be a headline hardware advantage.

Third-order effects

  • If Apple carries this approach across iPad hardware, tablet cameras may become standard interaction and video-communication components rather than substitutes for dedicated cameras.
  • The SDK evidence suggests Apple’s platform strategy is to expose camera functions broadly before treating imaging specifications as a premium product differentiator.

The trend: Tablets are adding cameras first as software-enabled communication and interaction tools, with photographic quality taking a secondary role.