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Netflix Changes Binge Release Strategy for DreamWorks Turbo Show

When Netflix started its big push into original TV shows this year, it played up its binge-friendly strategy: Each time the streaming service debuted a new show, like “House of Cards”, it released a season's worth of episodes in one day.

AllThingsD Peter Kafka

Context & Ripple Effects

Netflix built its originals identity this year on the binge promise — 'House of Cards' arrived as a full season in a single day, following its 2011 streaming deal with DreamWorks that gave it a pipeline of animated family fare, and its first original series 'Lillyhammer' established the production side earlier in 2013. The Turbo show was positioned inside that same all-at-once playbook.

Changing the release mechanics for the DreamWorks title breaks that uniformity, and the story traveled unusually far for a scheduling tweak — same-day pickups at CNNMoney, The Verge, Engadget, GeekWire, The Next Web and others signal that the industry reads it as a statement about the binge model itself, not just one kids' show.

First-order effects

  • Families watching the DreamWorks Turbo series get episodes on a staggered schedule instead of a season in one sitting, making this the first Netflix original to depart from the House of Cards-style day-one drop.
  • Netflix loses the simplicity of 'everything at once' as a blanket originals pitch — every future title now invites questions about which release model applies.

Second-order effects

  • Rivals courting family viewers, such as Amazon's Lovefilm service — which Netflix has been outpacing on UK mobile platforms since November — face less of a binge-model disadvantage in kids' content, where paced viewing fits how parents ration screen time.
  • DreamWorks gains a multi-week promotional window per episode rather than a single launch spike, an argument other suppliers to Netflix can make when negotiating their own release terms.

Third-order effects

  • If the per-audience approach spreads beyond children's programming, release cadence becomes a competitive weapon alongside price and catalog — Netflix can hold some titles back for sustained engagement while still using full-season drops where binge appeal wins, eroding the neat distinction between streaming originals and scheduled TV.

The trend: Streaming originals are evolving from a single binge-release doctrine toward release schedules tuned to each audience segment, with children's programming as the proving ground.