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Online Video Auteurs: Keep Your Day Jobs, Part 2

Perez Hilton tells TVWeek his videos on Google's YouTube generated 25 million views over the past three months and netted him a whopping $5,000 in revenue.  That's a 20-cent CPM.  (It's an even lower net CPM for Google, by the way, assuming a payout ratio of more than 50%.

Silicon Alley Insider Henry Blodget

Context & Ripple Effects

The math Perez Hilton gave TVWeek lands two weeks after the outlet's earlier piece on how online fame is easy but advertising is hard to get, and it puts a hard number on that gap: 25 million views in three months yielding $5,000, a 20-cent CPM. It also punctures the promise YouTube set up back in August 2006 when it launched the Paris Hilton channel to chase ad money — even a celebrity gossip brand built for video isn't clearing meaningful revenue from Google's system.

The Silicon Alley Insider framing matters because it flips the usual narrative: the problem isn't just that creators earn little, it's that Google itself nets even less per view once its payout ratio is accounted for. At these rates, YouTube's massive audience is an asset its ad machinery cannot yet price.

First-order effects

  • Perez Hilton and comparable video-first personalities learn their audiences are worth pennies per thousand views on YouTube, making original video a marketing expense rather than a revenue line.
  • Google's partner program faces a credibility problem with exactly the creators it needs most: at a 20-cent CPM, top-viewed accounts have no economic reason to treat YouTube as anything but promotion.

Second-order effects

  • Rival video platforms and portals can court disillusioned creators with better rev-share terms, since YouTube's rate card is now public benchmark anyone can undercut.
  • Advertisers get leverage: if premium celebrity-adjacent UGC sells at 20 cents, agencies will resist paying meaningfully more elsewhere until YouTube proves differentiated pricing.

Third-order effects

  • If per-view economics stay near zero, user-generated video consolidates around whoever first builds real ad sales infrastructure — brand-safe channels, sold-out formats — rather than whoever attracts the most views.
  • The creator economy's implicit bargain, that audience size converts to income, breaks unless platforms close the monetization gap, pushing talent toward hybrid models: day jobs plus video as publicity.

The trend: Online video audiences are scaling far faster than the ad systems attached to them, and 2008 becomes the year platforms must prove views can be priced.