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Chronicles

The story behind the story

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As deepfakes make their way into broadcast-quality productions, filmmakers and artists are facing new questions like how to cast the right actors for a deepfake

MIT Technology Review Karen Hao

Context & Ripple Effects

Deepfakes have climbed a clear ladder in the related coverage: a writer showed in 2019 that a convincing swap could be built in two weeks with Faceswap for about $552, hobbyists then turned the tools into meme material with published YouTube tutorials, and companies like Synthesia found the first commercial footing in multilingual corporate training videos. The new step reported here is broadcast quality — deepfake techniques crossing from memes and training clips into professional film and art productions.

First-order effects

  • Filmmakers now have a casting question that did not exist before: whether to cast an actor for their performance, their likeness, or both, since the face on screen and the person delivering it can be separated.

Second-order effects

  • Studios and performers will need explicit likeness agreements as the technology spreads, because the same accessibility that produced hobbyist memes means any captured performance can be repurposed without the actor who inspired it.
  • Broadcast use collides with the credibility problem flagged in earlier coverage: once fakes are this good, the liar's-dividend dynamic lets bad actors dismiss real footage as synthetic, raising the stakes for how productions label what viewers see.

Third-order effects

  • If broadcast-quality synthesis becomes routine, provenance and disclosure tooling — the trust layer researchers like DARPA were probing back in 2019 — shifts from a research topic to standard production infrastructure, sitting alongside cameras and editors in the pipeline.

The trend: Synthetic media is moving up the production stack from hobbyist novelty to broadcast-grade craft, forcing the industry to treat an actor's likeness as a separately licensed asset.

Discussion

  • @craigmod Craig Mod on x
    The continued fascinating / horrifying march of the deep fake: https://www.technologyreview.com/ ...
  • @dylanhuw Dylan Huw on x
    “It's the perfect art form for these kinds of absurdist, almost surrealist times that we're experiencing.” https://www.technologyreview.com/ ...
  • @_karenhao Karen Hao on x
    Now that deepfakes are being used in professional productions, directors and actors are facing new questions: how do you cast the right actor to deepfake? And how do you *act* when your face will never be seen?? I had loads of fun reporting this one. https://www.technologyreview.…