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TEXXR

Chronicles

The story behind the story

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Inside the Crypties, an awards ceremony calling itself the Oscars for Web 3.0, with awards for game of the year, investor of the year, social impact, and more

Jacob Bernstein / New York Times :

New York Times Jacob Bernstein

Context & Ripple Effects

The Crypties arrive at the tail end of the capital surge in which crypto and blockchain startups raised more than $28B in 2021, when large tech companies were losing executives and engineers to the sector and an insider class with money and status needed somewhere to celebrate itself. Borrowing the Oscars frame — game of the year, investor of the year, social impact — is the point: the ceremony imports Hollywood's legitimacy machinery into an industry still fighting for mainstream standing.

There is a direct lineage here. Tech has run this play before, most visibly with [[a:864708|the Crunchies, where Slack, Gear VR, Stewart Butterfield and Bill Gurley took honors in 2016]], and the Crypties are crypto's bid for the same ritual. Where that arc leads is visible years later, when [[a:1168682|Consensus, one of crypto's biggest conferences, took on a decidedly corporate sheen amid Wall Street's embrace of digital assets]].

First-order effects

  • Crypto founders, investors and game studios gain a status-marking event whose categories — investor of the year, social impact — explicitly mirror traditional finance and entertainment honors, giving winners a credential to cite outside the crypto bubble.

Second-order effects

  • By copying the Crunchies template, the Crypties push crypto's cultural infrastructure onto the same track as Silicon Valley's, turning award season into another arena where exchanges, VCs and protocols compete for mainstream credibility alongside capital.

Third-order effects

The trend: Crypto is building the legitimacy rituals of established industries — awards shows, corporate conferences — faster than its markets mature, closing the sector's credibility gap from the culture side.