/
Navigation
Chronicles
Browse all articles
Explore
Semantic exploration
Research
Entity momentum
Nexus
Correlations & relationships
Story Arc
Topic evolution
Drift Map
Semantic trajectory animation
Posts
Analysis & commentary
Pulse API
Tech news intelligence API
Browse
Entities
Companies, people, products, technologies
Domains
Browse by publication source
Handles
Browse by social media handle
Detection
Concept Search
Semantic similarity search
High Impact Stories
Top coverage by position
Sentiment Analysis
Positive/negative coverage
Anomaly Detection
Unusual coverage patterns
Analysis
Rivalry Report
Compare two entities head-to-head
Semantic Pivots
Narrative discontinuities
Crisis Response
Event recovery patterns
Connected
Search: /
Command: ⌘K
Embeddings: large
TEXXR

Chronicles

The story behind the story

days · browse · Enter similar · o open

Inside the Crypties, an awards ceremony calling itself the Oscars for Web 3.0, with awards for game of the year, investor of the year, social impact, and more

Jacob Bernstein / New York Times :

New York Times Jacob Bernstein

Context & Ripple Effects

By late 2022, crypto had spent two years buying its way into the mainstream: startups raised $28B+ in 2021, up 4x year over year, while large tech companies lost executives and engineers to the sector. The Crypties is that money turning into ritual — an awards show explicitly modeled on the Oscars, complete with categories like game of the year, investor of the year, and social impact.

Tech has run this play before: the Crunchies spent nearly a decade anointing Silicon Valley's own laureates, with Slack, Gear VR, Stewart Butterfield, and Bill Gurley among its 9th Annual winners. What makes the Crypties notable is the timing — arriving just as the industry needed external validation most — and the destination it points toward: four years on, crypto's flagship gathering, [[a:1168682|Consensus, would carry a decidedly corporate sheen amid Wall Street's embrace of digital assets]].

First-order effects

  • Winners gain a mainstream-media-endorsed credential at exactly the moment the sector's reputation is under strain — the New York Times covering the event is itself the legitimacy the ceremony exists to manufacture.

Second-order effects

  • The awards circuit becomes a competitive channel within crypto's PR economy: exchanges, funds, and game studios now have an annual stage to signal staying power, pressuring rivals to sponsor, attend, or launch their own honors rather than cede the narrative.

Third-order effects

  • If the arc from the Crypties to Consensus's corporate turn holds, crypto's institutions follow a predictable path — borrow legacy prestige formats first, then get absorbed by them once Wall Street arrives — leaving the subculture's self-made rituals as transitional artifacts.

The trend: Crypto is systematically importing traditional prestige institutions — awards shows, blue-chip press coverage, eventually Wall Street conferences — to close its legitimacy gap with mainstream finance.

Discussion

  • @owasow Omar Wasow on x
    On stage the screen showed “Fortune magazine with Bankman-Fried on its cover along with the headline “The Next Warren Buffett?” The Emcee predicted that Bankman-Fried's “trading habit” would soon involve swapping “cigarettes for toilet paper in prison.” https://www.nytimes.com/..…
  • @vvfriedman Vanessa Friedman on x
    For your reading pleasure, a needle-sharp skewering of the crypto Oscars by @BernsteinJacob - https://www.nytimes.com/...
  • @regenrene Rene Reinsberg on x
    Nice to be recognised for our efforts to use blockchain for good @nytimes. Only wish we had more of an opportunity to talk about web3's real world impact eg for climate and financial inclusion. Always happy to chat @CeloOrg ecosystem efforts, DMs are open https://www.nytimes.com/…
  • @profjeffjarviss @profjeffjarviss on x
    Delighted to MC this fantastic event! https://twitter.com/...
  • @bernsteinjacob Jacob Bernstein on x
    Last night at the Crypties, The Fat Jew did an in memoriam to all the celebs who flogged trash tokens and asked audience members what the stupidest things they bought during the boom were. “A zebra,” someone yelled. @NYTimes@ https://www.nytimes.com/...
  • @marek_ @marek_ on x
    Look mom, we made it into the @nytimes and we didn't have to co-mingle any funds! https://www.nytimes.com/...