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Chronicles

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The UK's CMA finds intervention in the music streaming services market will not increase artist earnings as their problems are “unrelated to competition issues”

Kate Beioley / Financial Times :

Financial Times Kate Beioley

Context & Ripple Effects

The CMA had already concluded that music streaming was dominated by major players but was not then causing consumer harm in its initial streaming-market report. The new finding narrows the case for competition intervention further: the artist-earnings problem is not one the authority believes it can solve through this market review.

It also illustrates the CMA's case-by-case threshold for action. In other matters, it has been prepared to pursue concerns that a transaction may harm innovation, including its challenge to Meta's Giphy acquisition.

First-order effects

  • Artists seeking higher streaming earnings do not gain a competition-market remedy from the CMA's review, because the authority finds their concerns unrelated to competition issues.
  • Music streaming services avoid a CMA intervention aimed at changing artist earnings on the basis of this assessment.

Second-order effects

  • The policy debate over artist pay shifts away from streaming-market competition remedies, requiring advocates to distinguish remuneration concerns from demonstrable consumer or competitive harm.
  • The finding gives music services a clearer basis to resist proposals that treat concentrated market structure alone as sufficient grounds for earnings-focused intervention.

Third-order effects

  • The CMA's approach points toward more bounded digital-market enforcement: market concentration may trigger scrutiny, but remedies depend on a demonstrated competition harm tied to the authority's remit.
  • If applied consistently, this distinction will leave distribution-of-revenue disputes to policy tools other than competition enforcement unless they can be connected to competitive harm.

The trend: UK digital-market oversight is increasingly separating concerns about market structure from the specific competition harms required to justify intervention.

Discussion

  • @cmagovuk @cmagovuk on x
    We absolutely hear creators when they say they're struggling, but our study found that a lack of competition is not the cause of these challenges. (4/5)
  • @cmagovuk @cmagovuk on x
    However, many creators are concerned they don't earn enough from streaming. To make about £12,000 a year, an artist needs 12 million streams - but less than 1% of artists reach that level. The top 0.4% of artists make up over 60% of streams and earn the most money. (3/5)
  • @cmagovuk @cmagovuk on x
    Our final report into UK #music #streaming is live. Main findings below 🧵 (1/5) https://twitter.com/...