/
Navigation
Chronicles
Browse all articles
Explore
Semantic exploration
Research
Entity momentum
Nexus
Correlations & relationships
Story Arc
Topic evolution
Drift Map
Semantic trajectory animation
Posts
Analysis & commentary
Pulse API
Tech news intelligence API
Browse
Entities
Companies, people, products, technologies
Domains
Browse by publication source
Handles
Browse by social media handle
Detection
Concept Search
Semantic similarity search
High Impact Stories
Top coverage by position
Sentiment Analysis
Positive/negative coverage
Anomaly Detection
Unusual coverage patterns
Analysis
Rivalry Report
Compare two entities head-to-head
Semantic Pivots
Narrative discontinuities
Crisis Response
Event recovery patterns
Connected
Search: /
Command: ⌘K
Embeddings: large
TEXXR

Chronicles

The story behind the story

days · browse · Enter similar · o open

How services like Cameo and Substack have opened up new ways for prominent media figures and journalists to make a living from smaller audiences

a new way for notable individuals to present custom tailored insights and information. It is part of a platform liberation process that will allow valuable journalists, artists, actors—any creative to reach a one-to-one audience. https://twitter.com/... Carter Thomas / @carterthomas : Joe Rogan + Call Her Daddy are important milestones As many shift to virtual communication we should see: - confidence in the ability to produce content online - a willingness to pay for others' premium content I also think ppl will scroll/browse less https://www.nytimes.com/... @nytimes : “In the mainstream heart of the media business, both artists and writers are moving quickly to find new business models as huge swaths of the media business have been wounded or shut down by the coronavirus pandemic,” writes Ben Smith. https://www.nytimes.com/... Dave Ambrose / @daveambrose : .@BookCameo is on pace to bring in over $100mm in bookings this year and $25mm in revenues “the company's weekly bookings have grown to 70,000 from about 9,000 in early January” 👀 to experience momentum like this for a model 3 years old https://www.nytimes.com/... Abhijit Bhaduri / @abhijitbhaduri : “Individuality is a feature - not a bug” in the #PassionEconomy says @ljin18 via @a16z https://a16z.com/... Today @nytimes talked about it https://www.nytimes.com/... https://twitter.com/... Steven Galanis / @mr312 : Great @benyt piece in @nytimes about @BookCameo and the emerging ecosystem around direct to consumer monetization for content creators that @ljin18 dubs, “The Passion Economy.” https://www.nytimes.com/... Ross Hoffman / @hoff : 1/ Great read on the creator economy. https://www.nytimes.com/.... Investors have shunnned the media space over the years, calling most properties “sub scale” but times are changing. Alexis Ohanian Sr. / @alexisohanian : Crazy to think that people are still learning about @Patreon — this has been the financial infrastructure for a generation of culture-creators for the last decade from @IssaRae to @amandapalmer to @humansofny - it's powering the #SecondRenaissance https://www.nytimes.com/... Anne Helen Petersen / @annehelen : “Every celebrity is really a gig economy worker” https://www.nytimes.com/... Sajith Pai / @sajithpai : The 11th highest earning newsletter by @emorwee makes $175,000 a year, from 2,500 subscribers. @Kevin2Kelly (1000 true fans) was right. via https://www.nytimes.com/... https://twitter.com/... @jeremysliew : .@BookCameo's bookings have grown from $9k/week in early Jan to $70k/week now, according to the @nytimes https://www.nytimes.com/... https://twitter.com/... Taylor Lorenz / @taylorlorenz : If you want to understand the success of Rogan I suggest reading @benyt which actually takes a thoughtful and reported look at these big shifts in media https://www.nytimes.com/... Isaac Fitzgerald / @isaacfitzgerald : Kelci Saffery of Tiger King fame has earned $17K on Cameo. 🐅🖤✨ Read @benyt on how the business of “digital direct payments” is shifting the already constantly shifting media landscape: https://twitter.com/... Andrew Feinberg / @andrewfeinberg : In which Ben, who was lucky enough to escape his less financially stable ex-employer for a cushy @nytimes gig argues that laid off journos whose employers folded or cut back & can't find new FT work because news is dying will be ok because a few folks make money with Substack. https://twitter.com/... Alex Kantrowitz / @kantrowitz : This paragraph on @SubstackInc is key. You can see why it's so appealing to journalists in an unstable moment in media. “Substack represents a radically different alternative, in which the “media company” is a service and the journalists are in charge.” https://twitter.com/... Alex Kantrowitz / @kantrowitz : This column from @benyt is a must-read on the quiet seismic shift taking place in the media industry today. “Media company stars, with big social media followings and more and more ways to make money, are less and less willing to act like employees.” https://www.nytimes.com/... Sriram Krishnan / @sriramk : Fantastic @benyt piece today on the changing world of media. And great mentions for Cameo's @Mr312 , Substack, @ljin18 and many others. https://www.nytimes.com/... Antonio Garca Martnez / @antoniogm : Interesting take by @benyt on the ‘celebrity creative’ culture, and the startups springing up to monetize them (and help them monetize). https://www.nytimes.com/... See also Mediagazer

New York Times Ben Smith

Discussion

  • @benyt Ben Smith on x
    Marc Andreesen hopes @SubstackInc will do to journalism what venture capital did to big tech ... https://www.nytimes.com/... https://twitter.com/...
  • @benyt Ben Smith on x
    I wrote this week on Cameo, Substack, and the new model media business https://www.nytimes.com/...
  • @rafat @rafat on x
    Umm, did @benyt forget the whole bloggers-in-their-pajamas phase of media from almost two decades ago?? I can give almost exact replicas of stories like this form say 2004-2005, maybe even in NYT! https://www.nytimes.com/...
  • @benyt Ben Smith on x
    @rafat And of course we are all back in basements and pajamas https://twitter.com/...
  • @benthompson Ben Thompson on x
    @benyt @rafat Yep. Direct connection with customers is way more sustainable than having an ad-seller in the middle.
  • @ne0liberal Neoliberal on x
    I wish I could subscribe to more writers on Substack, but those fees add up quickly. Perhaps Substack can bundle multiple writers together and charge one flat fee to access them all. https://twitter.com/...
  • @thestalwart Joe Weisenthal on x
    So big media companies will be more powerful than ever https://twitter.com/...
  • @rafat @rafat on x
    These two paragraphs could have been written anywhere from about 2004 onwards, I can bet, especially that last line. https://twitter.com/...
  • @benyt Ben Smith on x
    @rafat I was there too! I've got a Kevin Kelly reference, and the point that the ad-based web never delivered on that promise
  • @brianroemmele Brian Roemmele on x
    Incredible value in @BookCameo and @SubstackInc—a new way for notable individuals to present custom tailored insights and information. It is part of a platform liberation process that will allow valuable journalists, artists, actors—any creative to reach a one-to-one audience. ht…
  • @carterthomas Carter Thomas on x
    Joe Rogan + Call Her Daddy are important milestones As many shift to virtual communication we should see: - confidence in the ability to produce content online - a willingness to pay for others' premium content I also think ppl will scroll/browse less https://www.nytimes.com/...
  • @nytimes @nytimes on x
    “In the mainstream heart of the media business, both artists and writers are moving quickly to find new business models as huge swaths of the media business have been wounded or shut down by the coronavirus pandemic,” writes Ben Smith. https://www.nytimes.com/...
  • @daveambrose Dave Ambrose on x
    .@BookCameo is on pace to bring in over $100mm in bookings this year and $25mm in revenues “the company's weekly bookings have grown to 70,000 from about 9,000 in early January” 👀 to experience momentum like this for a model 3 years old https://www.nytimes.com/...
  • @abhijitbhaduri Abhijit Bhaduri on x
    “Individuality is a feature - not a bug” in the #PassionEconomy says @ljin18 via @a16z https://a16z.com/... Today @nytimes talked about it https://www.nytimes.com/... https://twitter.com/...
  • @mr312 Steven Galanis on x
    Great @benyt piece in @nytimes about @BookCameo and the emerging ecosystem around direct to consumer monetization for content creators that @ljin18 dubs, “The Passion Economy.” https://www.nytimes.com/...
  • @hoff Ross Hoffman on x
    1/ Great read on the creator economy. https://www.nytimes.com/.... Investors have shunnned the media space over the years, calling most properties “sub scale” but times are changing.
  • @alexisohanian Alexis Ohanian Sr. on x
    Crazy to think that people are still learning about @Patreon — this has been the financial infrastructure for a generation of culture-creators for the last decade from @IssaRae to @amandapalmer to @humansofny - it's powering the #SecondRenaissance https://www.nytimes.com/...
  • @annehelen Anne Helen Petersen on x
    “Every celebrity is really a gig economy worker” https://www.nytimes.com/...
  • @sajithpai Sajith Pai on x
    The 11th highest earning newsletter by @emorwee makes $175,000 a year, from 2,500 subscribers. @Kevin2Kelly (1000 true fans) was right. via https://www.nytimes.com/... https://twitter.com/...
  • @jeremysliew @jeremysliew on x
    .@BookCameo's bookings have grown from $9k/week in early Jan to $70k/week now, according to the @nytimes https://www.nytimes.com/... https://twitter.com/...
  • @taylorlorenz Taylor Lorenz on x
    If you want to understand the success of Rogan I suggest reading @benyt which actually takes a thoughtful and reported look at these big shifts in media https://www.nytimes.com/...
  • @isaacfitzgerald Isaac Fitzgerald on x
    Kelci Saffery of Tiger King fame has earned $17K on Cameo. 🐅🖤✨ Read @benyt on how the business of “digital direct payments” is shifting the already constantly shifting media landscape: https://twitter.com/...
  • @andrewfeinberg Andrew Feinberg on x
    In which Ben, who was lucky enough to escape his less financially stable ex-employer for a cushy @nytimes gig argues that laid off journos whose employers folded or cut back & can't find new FT work because news is dying will be ok because a few folks make money with Substack. ht…
  • @kantrowitz Alex Kantrowitz on x
    This paragraph on @SubstackInc is key. You can see why it's so appealing to journalists in an unstable moment in media. “Substack represents a radically different alternative, in which the “media company” is a service and the journalists are in charge.” https://twitter.com/...
  • @kantrowitz Alex Kantrowitz on x
    This column from @benyt is a must-read on the quiet seismic shift taking place in the media industry today. “Media company stars, with big social media followings and more and more ways to make money, are less and less willing to act like employees.” https://www.nytimes.com/...
  • @sriramk Sriram Krishnan on x
    Fantastic @benyt piece today on the changing world of media. And great mentions for Cameo's @Mr312 , Substack, @ljin18 and many others. https://www.nytimes.com/...
  • @antoniogm Antonio Garca Martnez on x
    Interesting take by @benyt on the ‘celebrity creative’ culture, and the startups springing up to monetize them (and help them monetize). https://www.nytimes.com/...