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Chronicles

The story behind the story

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A look at TikTok's emerging meme culture, as multi-platform meme brands and independent Instagram meme influencers begin investing heavily in the platform

Bombarding a platform known for dance crazes and skits is strategic, and potentially very lucrative.

New York Times Taylor Lorenz

Context & Ripple Effects

For years the meme trade ran one way: screenshots of tweets went viral as Instagram memes because of that platform's image-first identity, and adolescents mostly encountered TikTok videos secondhand, as repurposed clips on curated YouTube channels and Instagram accounts. Instagram treated meme accounts as an asset worth managing — hiring a strategic partnerships manager for meme accounts after purging 142 of them in July 2019.

The shift reported here is that the suppliers themselves are moving: multi-platform meme brands and independent Instagram-native influencers are now investing heavily in TikTok, following the audience growth TikTok itself catalogued in its 2019 year-in-review. The middlemen who once stripped TikTok content for Instagram are becoming TikTok creators.

First-order effects

  • Instagram meme influencers are splitting their output across TikTok, putting their existing audiences and formats onto a rival platform where they must rebuild reach from scratch.
  • Instagram loses part of the meme-account supply it had just moved to court through its partnerships-manager hire, weakening the curated-repurposing pipeline that fed its users.

Second-order effects

  • Instagram faces pressure to formalize creator support — partnerships roles, algorithmic favoring — to keep meme accounts from fully migrating, turning meme operators into a contested supplier class between the two platforms.
  • TikTok gains a professionalized content layer beyond dance crazes and skits, which makes the platform more legible to advertisers and accelerates its pitch against Instagram for brand budgets.

Third-order effects

  • If meme economics follow audiences platform-to-platform, cultural production consolidates around whichever feed offers the fastest distribution, and platforms begin competing less on features than on who owns the meme supply chain.
  • The repurposing loop may invert structurally: instead of TikTok content flowing outward to image-first platforms, image-first meme formats get rebuilt natively for video feeds, eroding the distinct identities that made each platform a different meme venue.

The trend: Meme creation and distribution are migrating from image-first platforms like Instagram toward video-first recommendation feeds like TikTok, with professionalized meme operators following the audience.

Discussion

  • @taylorlorenz Taylor Lorenz on x
    There is a point in every social media platform's life when it is forced to grapple with the community of memers bending the limits of the platform to go viral. Now, the community is flooding to TikTok, which is (so far) embracing them. https://www.nytimes.com/...
  • @sameer_singh17 Sameer Singh on x
    Two important takeaways: 1) Memes are identity agnostic, and not something that will encourage stickiness, 2) “Multi-platform meme brands” multi-tenant across a bunch of networks by definition, and are not a source of defensibility. https://twitter.com/...
  • @taylorlorenz Taylor Lorenz on x
    “The amount of growth you get on TikTok from one viral video is so much compared to other platforms, it compels more people to start these meme accounts,” said Samir Mezrahi, founder of @KaleSalad. https://www.nytimes.com/...
  • @taylorlorenz Taylor Lorenz on x
    Mid level meme pages, especially in gaming, are abandoning Instagram to rebuild their meme pages on TikTok. And, a whole new class of Gen Z teens are turning to TikTok to build meme brands of their own from the ground up https://www.nytimes.com/...
  • @kattenbarge Kat Tenbarge on x
    .@TaylorLorenz is one of the few people to report on memes and their makers like what they are - an often “scrappy,” sometimes “dubious,” but absolutely booming business. https://www.nytimes.com/...
  • @cowbellytv Cowbelly on x
    I spoke with @TaylorLorenz about the emerging meme culture on TikTok. https://www.nytimes.com/...
  • @taylorlorenz Taylor Lorenz on x
    Large multi-platform meme brands like Daquan, Betch, Memezar, Pubity, and more have shifted their focus on TikTok and are growing by millions https://www.nytimes.com/...
  • @taylorlorenz Taylor Lorenz on x
    Since launching in the U.S. in 2018, TikTok has cemented itself in meme culture, now the memers are coming to stake their claim on the app. https://www.nytimes.com/...
  • @taylorlorenz Taylor Lorenz on x
    “I can't overstate just how much TikTok has taken hold in the meme space. A lot of people associate TikTok with Charli D'Amelio and these dance trends. It's actually a platform where all kinds of viral content can proliferate and thrive.” ~@doncald https://www.nytimes.com/...