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Chronicles

The story behind the story

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TikTok signs licensing deal with music rights agency Merlin for indie label music in videos and, source says, in its upcoming music streaming service, Resso

TikTok, the fast-growing user-generated video app from China's Bytedance, has been building a new music streaming service to compete …

TechCrunch Ingrid Lunden

Context & Ripple Effects

ByteDance's music ambitions have been public for months: sources reported in May 2019 that it was building a paid music app aimed at emerging markets, followed by reports of talks with record companies for a streaming launch in Brazil, India, and Indonesia. The Merlin deal is the first concrete catalog commitment to surface — and the first to tie TikTok's video feed directly to a future streaming product, Resso.

The significance is leverage: Merlin represents thousands of independent labels, so ByteDance secures a large slice of catalog without needing every major label signed first. That matters for a service whose later trajectory — SoundOn distribution and eventually cutting label-facing jobs to work directly with artists — points toward reducing dependence on traditional label intermediaries.

First-order effects

  • Merlin's independent label members gain licensed placement in TikTok videos and, per the source, a launch catalog in Resso — new revenue and discovery channels without negotiating with ByteDance individually.
  • Resso's catalog position at launch strengthens: indie content fills gaps while ByteDance's negotiations with major labels, first reported months ago, continue.

Second-order effects

  • The major labels lose some negotiating leverage: with indie catalog licensed, ByteDance can launch a credible streaming service without a full majors lineup, weakening the majors' ability to hold out for premium terms.
  • Competing streaming services face a rival whose catalog is subsidized by the world's largest short-video audience — TikTok videos become a funnel into Resso subscriptions in ways pure streaming players cannot replicate.

Third-order effects

  • If the pattern holds — license first via Merlin, then build direct-artist tools like SoundOn, then shrink label-facing teams — the label's traditional role as gatekeeper between artists and distribution erodes, with platforms like ByteDance absorbing that function.
  • Emerging markets become the testing ground for a new streaming structure, as ByteDance's reported launch markets (Brazil, India, Indonesia) let it build the licensing-to-distribution pipeline where incumbent streaming penetration is thinner.

The trend: Music streaming is shifting from label-mediated licensing toward platforms that license catalog first, then build direct artist relationships to bypass the labels they once needed.

Discussion

  • @ingridlunden Ingrid on x
    Have confirmed TikTok has other licensing deals in place (Merlin is just the first it's announced). A streaming service could help with monetisation for TikTok, one of the most downloaded apps last year, yet minimal in terms of making $$. https://techcrunch.com/...
  • @stevekopack Steve Kopack on x
    Amazon Music now has 55M users. Amazon told the FT this figure covers multiple tiers of the service but “nearly all” are paying. Apple Music most recently said it has 60M users & Spotify remains the leader with 113M paying customers or 248M users total. https://www.ft.com/...