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Chronicles

The story behind the story

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Sources: Facebook is pursuing rights to music videos from record labels to boost interest in Watch, has already begun testing music videos in Thailand and India

Facebook Inc. is pursuing rights to music videos from major record labels, programming that could boost interest in its Watch video service …

Bloomberg Lucas Shaw

Context & Ripple Effects

This report is the hinge point in a five-year arc of Facebook chasing label content. The company first floated music-video licensing back in its 2015 push to insert music videos into users' feeds, then spent 2017 negotiating with the majors over how to police copyrighted music in user-generated clips, reportedly offering hundreds of millions of dollars to cover infringing uploads. By late 2019, per Bloomberg's sourcing, that groundwork has matured into a concrete product play: rights to official music videos, tested on Watch in Thailand and India.

What makes the story consequential is where it lands. The follow-on coverage shows the pursuit succeeded — Facebook closed deals with Sony, UMG, and Warner for music-video rights and rolled out an official Music destination inside Watch in the US within eight months. This article captures the moment the strategy shifted from copyright cleanup to competing for premium catalog programming.

First-order effects

  • Facebook gains a second premium video category for Watch beyond user-generated and publisher content, with Thailand and India serving as live test markets before any global rollout.
  • Major record labels gain a new licensing counterparty bidding against YouTube for their catalogs, directly affecting how they price video rights.

Second-order effects

  • YouTube faces pressure on the terms that made it the default home for official music videos — revenue share and reach — as labels can now shop the same rights to the largest social platform.
  • Artists and their managers acquire leverage to negotiate exclusives or better splits between the two platforms, fragmenting what was effectively a single-buyer market.

Third-order effects

  • If the pattern holds, official music videos stop being a YouTube-defining asset and become a licensed commodity distributed across every major social platform, shifting power over music video economics from one platform to the rights holders who auction access.
  • Watch's evolution toward professionally licensed programming points to social platforms consolidating into full video services, blurring the line between feed-based sharing and traditional streaming competitors.

The trend: Social platforms are converting licensed music catalogs from a copyright liability into premium programming, with record labels emerging as the gatekeepers deciding which platform wins video distribution.

Discussion

  • @bbgmedia @bbgmedia on x
    Facebook may finally challenge YouTube in music videos https://www.bloomberg.com/... (via @technology)
  • @mattnavarra Matt Navarra on x
    😮 Facebook is turning up the heat on YouTube! https://www.bloomberg.com/...
  • @lucas_shaw Lucas Shaw on x
    Scoop: Facebook has been testing music videos in India + Thailand, and has begun negotiating with music companies for the rights to use them on Watch + Instagram around the world. https://www.bloomberg.com/...
  • @lucas_shaw Lucas Shaw on x
    New: Facebook/Instagram is finally coming after one of YouTube's biggest strengths; music videos. (No, it doesn't have the rights to them now.) https://www.bloomberg.com/...