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Chronicles

The story behind the story

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Facebook has launched a new funding program for Facebook Watch shows pairing publishers and creators, starting with 12 publishers including BuzzFeed, Condé Nast

Sahil Patel / Digiday :

Digiday Sahil Patel

Context & Ripple Effects

Facebook's Watch strategy has been retrenching for months: after the 2017 era of paying up to $250K an episode to license shows from Vox, BuzzFeed and others, the platform narrowed its programming focus to sports, news and high-profile stars as direct show funding dried up in late 2018. Two weeks ago, Digiday reported Facebook would renew only about a third of its funded news shows.

The new program is the pivot point: rather than paying publishers to make shows alone, Facebook is funding pairings of publishers and creators across 12 launch partners including BuzzFeed and Condé Nast. It extends the YouTube-style creator economics Facebook floated back in 2018, when it was in talks with media buyers over an ad revenue split for individual creators, now channeled through established publishers.

First-order effects

  • BuzzFeed, Condé Nast and the other ten launch publishers get a fresh funding channel precisely as their individually funded news shows face non-renewal — the money continues, but only in the publisher-plus-creator format Facebook now prefers.
  • Creators gain a paid route onto Watch through publisher partnerships, giving Facebook a lever to court the YouTube stars it has chased since opening Watch to non-episodic long-form content in mid-2018.

Second-order effects

  • Publishers excluded from the initial 12 will face pressure to restructure pitches around creator collaborations, since standalone show funding is the category Facebook just cut by two-thirds.
  • The pairing model forces publishers into talent-scouting and revenue-sharing arrangements with creators, importing YouTube's creator-economy dynamics — and its competition for top talent — into Watch.

Third-order effects

  • If the pattern holds, Facebook stops being a content buyer and becomes a format steerer: funding only the structures it wants (sports, news, star-driven, now co-produced) while letting the rest of the Watch ecosystem fend for itself on ad splits.
  • For digital publishers already squeezed by shrinking platform funding, survival on Watch increasingly depends on owning creator relationships rather than production capacity — a structural shift in how media companies monetize social video.

The trend: Facebook is replacing blanket content licensing with targeted funding programs that dictate format — here, publisher-creator pairings — as Watch consolidates around sports, news and stars.