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Roku Channel adds premium subscriptions, with networks including Showtime, Starz, and Epix available on Roku devices and apps, Samsung smart TVs, and more

Chris Welch / The Verge :

The Verge Chris Welch

Context & Ripple Effects

The Roku Channel started in 2017 as a free, ad-supported destination for Roku's own players and sticks (its launch offering included studio movies like Warner Bros.'), then broke out of Roku hardware with a debut on select Samsung smart TVs announced in March 2018. Adding premium subscriptions from Showtime, Starz, and Epix turns that free hub into a paid storefront: Roku now sits between the subscriber and the network, handling billing and discovery inside its own interface.

That matters because it makes the Roku Channel a two-sided property — ad-supported reach plus transactional revenue — running on third-party screens like Samsung's, and it sets up the expansion pattern the later coverage confirms: an ad-supported kids section with 7K free episodes months later, then a rollout onto Amazon Fire TV in 2020.

First-order effects

  • Showtime, Starz, and Epix gain a new distribution surface where subscribers can sign up without leaving the Roku interface or installing separate apps, on both Roku devices and Samsung smart TVs.
  • Roku adds a transaction layer to what was purely an ad-supported VOD play, earning revenue on premium subscriptions billed through the channel rather than only on advertising impressions.

Second-order effects

  • Roku positions itself as a subscription aggregator on rival hardware — including Samsung's — pressuring other device makers to decide whether to host a competitor-branded storefront or build their own billing hub.
  • Premium networks get an alternative to standalone app distribution, shifting leverage over customer relationships and billing data toward whoever owns the storefront interface.

Third-order effects

  • If the pattern holds, the operating-system owner becomes the default checkout for streaming: Roku's later moves — reaching Fire TV in 2020 and launching the $2.99 ad-free Howdy service in 2025 — trace back to this shift from selling players to controlling discovery and billing across devices.
  • Streaming economics tilt toward aggregation, where networks compete for placement inside platform-owned hubs rather than for direct subscriber relationships — a structure that favors whoever controls the screen's home row.

The trend: Streaming platforms are evolving from single-service apps into OS-level aggregation hubs that own discovery, billing, and the customer relationship across free and premium tiers.