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Chronicles

The story behind the story

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Making a short AI film with tools from Google, Runway, ElevenLabs, and Midjourney shows the tech has improved but it takes tedious work to get scene consistency

We tried to direct an AI film with Veo and Runway.  The tools are magic.  The process is madness.  —  Click for Sound

Wall Street Journal

Context & Ripple Effects

AI video has progressed from early experiments such as a 12-minute DALL-E-era film toward tools positioned for faster, lower-cost production. Related coverage has also emphasized that Hollywood sees the technology as a creative tool rather than a wholesale replacement for creators despite its expanding production potential.

This hands-on test identifies the remaining bottleneck: individual tools may produce striking material, but assembling them into a visually coherent sequence still demands substantial direction and iteration.

First-order effects

  • Creators using Google, Runway, Midjourney, Veo, and ElevenLabs can produce higher-quality short-film assets, but must absorb the manual work of maintaining characters and scenes across shots.
  • The practical value of these tools shifts from one-click filmmaking to accelerating discrete production tasks while human creators coordinate the final result.

Second-order effects

  • Vendors face pressure to compete on continuity, controllability, and cross-tool workflow—not just the quality of a single generated clip.
  • For small production teams, labor saved in asset creation can be partly offset by iteration and integration work, making the relevant measure the cost per usable sequence rather than the cost per generation.

Third-order effects

  • If consistency improves, AI filmmaking could move from isolated clips and demonstrations into repeatable production workflows; if it does not, human post-production and direction remain the limiting layer.
  • The market is likely to reward tools that fit together around a creator's workflow, rather than treating text-to-video generation as a standalone endpoint.

The trend: Generative video is evolving from impressive single-shot output toward workflow-native production systems where continuity and control determine commercial usefulness.

Discussion

  • @nearcyan Near on x
    veo3 is far too pricey to use just for personal fun all the time, so the primary high-volume use case will be for bulk youtube shorts monetiziation. this is the first time (i think?) an sota genai model provider also owns the resulting distribution of much of what users will make
  • @joannastern Joanna Stern on x
    AI slop. We set out to make an AI film that was more than that—one with humor, characters and meaning. Every frame in this was generated with Google Veo and Runway. Presenting My Robot And Me: [video]
  • @jarrardcole Jarrard Cole on x
    Watch My Robot and Me, a short film I made with @joannastern. Every single frame was created with AI. Take a look and then read below for how we made it. [video]
  • @joannastern Joanna Stern on x
    I can see why many hate AI video. As a video journalist and producer who loves nothing more than being out in the field, I thought I would hate it too. But there's a new kind of creativity here—one that surprised me. Read our @WSJ piece for more: https://www.wsj.com/... [image]
  • @joannastern Joanna Stern on x
    After testing tons of tools, we landed on Runway and Veo. Sora didn't come close. Still, for every good shot we got, we also got at least a few terrible ones. Roll the bloopers: [video]
  • @jarrardcole Jarrard Cole on x
    I then generated the video mostly in Veo 2 and 3, + a bit of Runway Gen 4. Most of my Veo prompts were in the 180 word range. I used a Gemini 2.5 thread with instructions and best practices from folks like @henrydaubrez + my experience to create prompts https://x.com/...
  • r/BetterOffline r on reddit
    We Made a Film With AI [By Cherry-picking From Multiple Tools and Manually Editing]: You'll Be B̶l̶o̶w̶n̶ …