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Chronicles

The story behind the story

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AI in Hollywood is a tech leap with a vast impact but remains a tool, not a replacement, for creatives; its speed, quality, and cost allow for VFX breakthroughs

but the emerging field is mired in copyright issues Gerui Wang / Forbes : Runway AI Is Changing Animation. How To Use It To Tell Untold Stories Mastodon: Dare Obasanjo / @carnage4life@mas.to : A fairly balanced story about AI tools being used in Hollywood by the @nytimes.  The core premise is straightforward, generative AI makes it far easier and cheaper to create digital scenes than existing CGI tools.  —  Digital de-aging like in the Tom Hanks movie, Here, is much more affordable with generative AI tools. … X: Ashkan Karbasfrooshan / @ashkan : AI is both an efficiency tool as well as an extender of what's possible - discussed storytelling & AI here. https://www.youtube.com/... LinkedIn: Michael Zink : My key take-away from this The New York Times article was the below pattern that the author noticed after several months of talking to people around #Hollywood about the topic of #AI: … Cedric Lejeune : You got to respect Zemeckis for trying things, or maybe he just lost a bet.  AI will change productivity in content creation, and bring new creative tools as computers have done in the past. … Forums: r/entertainment : What if A.I. Is Actually Good for Hollywood? See also Mediagazer

New York Times Devin Gordon

Context & Ripple Effects

Hollywood's AI debate had already centered on a split between studios' cost-saving incentives and creatives' concerns about displacement, prompting unions to seek rules on AI-produced material during contract talks union efforts to regulate AI-produced material.

This report adds a production-level case: lower-cost digital scenes and de-aging make AI a practical VFX workflow input, while copyright remains an unresolved constraint. That tension persisted in accounts of editors and artists worried about their roles despite a new IATSE contract craft workers' continuing fears about replacement.

First-order effects

  • VFX teams and production companies can test digital scenes and de-aging on projects that may not have supported the cost of conventional CGI, with AI positioned as an assistive tool in creative workflows.
  • Creators gain faster iteration and new animation options, but productions using these tools must contend with unresolved copyright questions around the emerging workflow.

Second-order effects

  • Studios' lower-cost production option increases pressure on labor negotiations to distinguish AI assistance from substitution; the WGA-AMPTP framework had already tied AI use to compensation for writers' work writer compensation protections when AI is used.
  • VFX and animation vendors will need to compete on workflow integration, quality control, and rights clarity rather than on rendering capacity alone.

Third-order effects

  • If quality and cost improvements continue, more of Hollywood's digital production could shift from scarce, bespoke CGI work toward AI-augmented pipelines—while human review and rights management remain central bottlenecks.
  • The industry is likely to treat copyright and labor terms as core infrastructure for AI adoption, determining whether the productivity gains are broadly deployable or limited to narrowly cleared uses.

The trend: Hollywood is moving toward workflow-native generative AI: lowering the cost of digital production while making creative control, compensation, and training rights decisive adoption constraints.

Discussion

  • @ashkan Ashkan Karbasfrooshan on x
    AI is both an efficiency tool as well as an extender of what's possible - discussed storytelling & AI here. https://www.youtube.com/...
  • r/entertainment r on reddit
    What if A.I. Is Actually Good for Hollywood?