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Source: Twitter expands Amplify Publisher program to individual video creators in the US, giving them 70% of ad revenue, better than YouTube and Facebook terms

Twitter is trying something new to boost its stagnating user base: Luring content creators to post on Twitter by giving them an easy way to earn money from their videos. Tweets: @kantrowitz and @martinsfp . See also Mediagazer Tweets: Alex Kantrowitz / @kantrowitz : Every platform wants video. Every platform pays. http://twitter.com/... Martin Bryant / @martinsfp : Didn't @Jason say they should do exactly this a few months ago? http://twitter.com/... See also Mediagazer Expand More For Next Unexpand More For Next

CNBC Julia Boorstin

Context & Ripple Effects

This is the second step in a deliberate ladder. In October 2015 Twitter built automatic matching of 6-second ads to publishers' videos, taking 30% and leaving 70% for media companies; today it opens that same split to individual US video creators, not just publishers.

The framing is explicitly competitive: Recode reports the deal is designed to appeal to YouTube stars and requires no content exclusives, so creators can keep posting everywhere while collecting Twitter's cut. Seven years later the same lever reappears, when Twitter began paying Blue subscribers with 5M+ monthly impressions a share of reply-adjacent ad revenue before rolling the program out globally.

First-order effects

  • Individual US video creators gain a direct monetization path on Twitter at a 70/30 split presented as better than YouTube's and Facebook's terms, with no exclusivity obligation locking them in.
  • YouTube and Facebook are immediately cast as the pricing benchmark: their standard creator splits are now publicly undercut by a smaller rival courting the same talent.

Second-order effects

  • Because the deal demands no exclusives, creators can multi-home — posting identical video to Twitter, YouTube, and Facebook simultaneously — which pressures YouTube and Facebook to defend their own revenue-share terms rather than rely on audience scale alone.
  • Advertisers get matched 6-second inventory against individual creators' videos, extending the automated ad-matching Twitter first built for publishers into a much larger pool of content.

Third-order effects

  • Creator compensation becomes a standing competitive weapon rather than a fixed cost of doing business: the 2016 open split and the 2023 relaunch — where payouts were gated behind a paid Blue subscription and an impression threshold — show the same lever being pulled twice with different eligibility gates attached.
  • If underdog platforms keep buying creator supply with richer splits, ad-revenue share turns into a negotiated, contested variable across social video instead of an industry-standard take rate set by the largest platforms.

The trend: Ad-revenue splits are becoming the primary competitive currency in the contest for video creators, with each platform's take rate repeatedly repriced as rivals bid for supply.