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Apple denies report that it will end iTunes music downloads within the next few years

The future of music is streaming, not downloads.  —  But that doesn't mean Apple, the company that essentially invented the market for music download sales, is going to stop selling downloads anytime soon.

Recode Peter Kafka

Context & Ripple Effects

Apple built the digital-music business on paid downloads, but the ground has been shifting for over a year: Nielsen counted US song streaming up 54% to 164B plays in 2014 while song downloads fell 12%, per Nielsen's 2014 year-end tally. Against that backdrop, Apple spent early 2015 negotiating streaming licenses with the major labels — terms that skipped a free tier and gave high-profile artists exclusive launch windows, as reported in the label negotiations — and launched Apple Music in June 2015 with an internal target of 100 million subscribers.

This denial matters because it defines the transition's shape: rather than killing iTunes downloads outright to force users onto subscriptions, Apple is running both models in parallel, letting the download store wind down on market demand rather than executive decree.

First-order effects

  • iTunes customers who buy individual songs and albums keep their purchase path intact for now — Apple publicly commits to selling downloads despite the reported internal timeline.
  • Apple Music's subscription push continues unchanged, since the denial removes nothing from the streaming service that was already positioned as the future of the company's music business.

Second-order effects

  • Music labels face a two-track Apple: streaming royalties growing through Apple Music while download-sale revenue persists longer than the rumored end date implied, slowing the pace at which their revenue mix flips to subscription.
  • Rival streaming services lose the argument that Apple would abruptly strand its download base — a forced migration to Apple Music was the scenario competitors could have marketed against, and Apple just took it off the table.

Third-order effects

  • If the pattern holds — downloads declining on Nielsen's trajectory while Apple nurtures a subscription service toward its 100M-subscriber ambition — the download store becomes a legacy channel that fades without a formal shutdown, and 'ownership' of music gives way to rented access across the industry.
  • The episode sets a template for how platform owners retire profitable-but-declining formats: deny the end date publicly, let usage data do the decommissioning, and avoid handing rivals a migration story.

The trend: Music consumption is completing its shift from purchased files to streaming subscriptions, with incumbents like Apple managing the decline of their own download businesses rather than forcing it.