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A Google DeepMind study involving 20 professional comedians who already use AI in their work finds LLMs struggled to produce material that was original or funny

Rhiannon Williams / MIT Technology Review :

MIT Technology Review Rhiannon Williams

Context & Ripple Effects

Professional experimentation with chatbots in improv and roasts had already brought computational humor into working comics’ toolkits, as covered in early reporting on AI-assisted comedy. This study adds practitioner feedback to that emerging use case rather than treating humor as a purely technical benchmark.

The finding also aligns with an earlier test in which generated jokes were frequently repetitive rather than novel, documented in research on repeated GPT-3.5 jokes. That makes originality—not merely producing joke-shaped text—a central constraint for creative deployment.

First-order effects

  • For the participating comedians and similar users, LLM output is less dependable as finished material and more suited to prompting, iteration, or supporting a human writer’s process.
  • Google DeepMind gains evidence that standard language-model capabilities do not translate cleanly into a high-context creative task where surprise and distinctiveness matter.

Second-order effects

  • Labs pursuing more engaging assistants will need to evaluate humor with practitioner-led measures of novelty and audience fit, not just whether a model can generate a recognizable joke; this bears directly on industry efforts to make chatbots funnier.
  • Creative users may place greater value on workflow tools that preserve authorship and facilitate revision over systems marketed as autonomous comedy writers.

Third-order effects

  • If similar results persist across creative fields, generative AI’s commercial role is more likely to center on augmentation than substitution in work where originality is the product.
  • The pattern highlights a broader synthetic-content constraint: models can expand supply, but abundant derivative output can reduce the value of generic generation unless human selection and differentiation remain central.

The trend: Creative AI is moving from demonstrations of fluent generation toward harder tests of whether model output is genuinely distinctive and useful within professional workflows.

Discussion

  • @koldsmed.bsky.social Thomas Berg on bluesky
    Since LLMs only reference already existing texts, it will never produce original material.  [embedded post]
  • @mirowskipiotr Piotr Mirowski on x
    Thank you @yannon_ (and @Melissahei) for covering in @techreview our @GoogleDeepMind study with 20 professional comedians evaluating LLMs and their... ahem... various limitations for creative writing. With @juliettelove29 @korymath @shakir_za https://www.technologyreview.com/ ...
  • @yannon_ Rhiannon Williams on x
    AI is great at lots of things. But telling jokes is not one of them. Here's why: https://www.technologyreview.com/ ...
  • @mirowskipiotr Piotr Mirowski on x
    “A Robot Walks into a Bar” We interviewed (@edfringe & online), 20 comedians who use AI in their process. A socio-technical systems study by @GoogleDeepMind, with co-authors @juliettelove29, @korymath & @shakir_za. Fresh out of press on arXiv, just presented at @FAccTConference. …