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Chronicles

The story behind the story

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Q&A with Grimes on her “c” persona, letting people use her voice in their music, AI, social media, Elon Musk, NFTs, a stronger sense of ethics in tech, and more

Claire Boucher is open sourcing her musical persona to let people create their own version of Grimes with AI.

Wired Steven Levy

Context & Ripple Effects

Grimes had already invited fans to make songs with AI tools using her voice and proposed a 50% royalty split for qualifying collaborations. This interview extends that experiment from a voice-use offer toward an openly reusable musical persona.

The surrounding coverage frames the move within music’s wider uncertainty over AI-generated music’s ownership and revenue rules. It also contrasts voluntary artist permission with later efforts to build a consent layer for artists’ AI use.

First-order effects

  • Creators can make and share AI-assisted work using versions of Grimes’s voice and persona with the artist’s stated permission, rather than treating every use as presumptively unauthorized.
  • Grimes turns her identity into a participatory creative input, while making attribution, authenticity, and royalty handling central practical questions for works made under that permission.

Second-order effects

  • Other artists and rights holders face a clearer strategic choice: offer governed access and revenue sharing, or retain tighter control over voice and likeness as audiences encounter more authorized synthetic performances.
  • Music platforms and distributors may need more explicit ways to distinguish artist-approved AI creations from impersonation, especially where a creator’s permission does not resolve ownership or payment terms.

Third-order effects

  • If artist-led licensing spreads, recorded music could shift from selling only finished catalog to governing reusable identity assets—voice, persona, and stylistic participation.
  • The durable fault line will be consent infrastructure: open creative access can scale only if permissions, provenance, and compensation remain legible across creators and platforms.

The trend: This is one early example of AI content commercialization moving from unauthorized imitation toward creator-defined, governed reuse of artistic identity.

Discussion

  • @wired @wired on x
    He thought he was sitting down for a one-on-one interview but instead, @stevenjayl ended up in a roundtable discussion with the many personas of Claire Boucher: Claire, “c,” and the cyberpop star we've come to know as @grimezsz 🧵 📷 @samcannon // 🔗 https://www.wired.com/... [image…
  • @wired @wired on x
    Grimes also acknowledged that Musk's notoriety would likely have an impact on the lives of X and Y, the two children the couple share. “I think their life is going to be pretty intense,” she said, “Being Elon's kid is not the same as being anyone's kid.” 6/10 📷: @samcannon [image…
  • @wired @wired on x
    Beyond his approach to business, Grimes reluctantly discussed Musk's high-profile Twitter dustups with those whom he identifies as purveyors or advocates of “woke culture.” When Levy asked if she considers herself woke, she demurred. 7/10 [image]
  • @wired @wired on x
    Highlights from the full interview include: making Martian propaganda K-pop, collaborating with her AI clone, building the soul of an alien, and an endorsement of the speculative Musk vs. Zuckerberg cage match. 9/10 Read it all right here: https://www.wired.com/... 📷: @samcannon …