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Messaging Firm Line Buys Microsoft's MixRadio To Take Its Focus On Music Global

Last month we reported that Microsoft was considering spinning out MixRadio, but it turns out the music service's future is with someone else: Japan-based messaging firm Line which just announced an undisclosed deal to buy it.

TechCrunch Jon Russell

Context & Ripple Effects

Microsoft had been weighing a spinout of MixRadio when Line stepped in instead, buying the streaming service outright in an undisclosed deal as part of the Japanese messaging firm's push to build revenue beyond chat stickers and games. The purchase handed Line an established streaming product it could take global rather than building one from scratch.

The arc that follows is instructive: Line shipped new iOS and Android apps under its ownership (new iOS and Android apps), experimented with a $2/month standalone tier in Thailand, and launched a paid streaming service at home in Japan — yet within roughly a year it quietly shut MixRadio down entirely, while Microsoft itself exited consumer music by killing Groove Music Pass and handing users to Spotify.

First-order effects

  • Line immediately gains a ready-made streaming catalog and mobile product, letting it bundle music into its messaging platform across markets instead of licensing or building from zero.
  • Microsoft sheds an unprofitable consumer asset it had already flagged for divestment, cutting its direct exposure to the capital-intensive streaming business.

Second-order effects

  • Line's follow-on moves — the Thailand price test and the paid Japan launch — show the acquisition forcing it to decide between bundling music inside the messenger or selling it standalone, two very different monetization paths.
  • With both MixRadio and Groove gone, the streaming market's survivors consolidate share toward scale players like Spotify, which Microsoft explicitly began recommending to Windows users after discontinuing Groove Music Pass.

Third-order effects

  • The pattern — a messaging giant buying then abandoning a streaming service within about eighteen months, followed by Microsoft's own retreat — points to structural pressure on subscale streaming entrants: without massive catalog licensing leverage, even well-funded acquirers couldn't make these services pay.
  • It also foreshadows messaging platforms retreating to their core monetization rather than diversifying into content services, a reversal of the mid-2010s super-app expansion thesis.

The trend: Mid-2010s messaging-platform diversification into streaming music is proving unsustainable, with subscale players exiting and consolidating the market around larger incumbents.