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Chronicles

The story behind the story

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2006, Brought to You by You

IMAGINE paying $580 million for an ever-expanding heap of personal ads, random photos, private blathering, demo recordings and camcorder video clips.  That's what Rupert Murdoch did when his News Corporation bought MySpace in July.

New York Times Jon Pareles

Context & Ripple Effects

News Corporation’s March move into MySpace put a major media owner behind a service built from members’ profiles, posts and uploads. By December, that ownership case was under strain from reports that some teens were already moving on from MySpace and from a QuickTime-based worm that altered profiles and spread through pages.

The $6 billion figure circulating around Rupert Murdoch’s assessment was reported, not confirmed. Against the completed $580 million acquisition, the story captures the gap between a platform’s volume of user material and the difficulty of turning that activity into a durable media asset.

First-order effects

  • News Corporation’s MySpace investment becomes dependent on retaining contributors and keeping their profiles safe, rather than on controlling a conventional catalog of finished media.
  • MySpace must address a profile-altering worm while asking Apple for a QuickTime update, making platform security part of the service’s immediate credibility with users.

Second-order effects

  • A reported multibillion-dollar valuation raises the premium placed on MySpace’s audience and user contributions, even as evidence of teen churn makes that audience less straightforward to value.
  • News Corporation has greater incentive to turn MySpace’s member activity into a managed media business, because scale alone does not resolve retention or security risks.

Third-order effects

  • If media owners keep buying participatory networks, the strategic asset shifts from professionally produced inventory toward the systems that host, organize and protect user contributions.
  • The model concentrates value in platforms that can preserve user participation while imposing enough technical and editorial control to make that participation commercially usable.

The trend: Media companies are treating user-generated networks as core distribution assets, with retention, trust and platform governance determining whether their scale holds value.