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Hipstamatic takes on Vine with Cinamatic, a new iOS app for shooting square-format videos

Vine ushered in a new era of quick, sharable videos shot and edited with a mobile device.  Instagram followed suit last summer and today, Hipstamatic is joining the fray with a new iOS app called Cinamatic.

The Next Web Nick Summers

Context & Ripple Effects

Short-form mobile video has been consolidating into a format war since Twitter launched Vine for iOS in January 2013 with six-second loops; Instagram added its own video capture the following summer, putting the format inside a network with hundreds of millions of users. Hipstamatic's move is its second attempt at social relevance after it went beyond filters with communal photo albums back in December 2011.

The timing matters because the ad money is arriving: Instagram signed its first major agency deal with Omnicom worth up to $100 million in March 2014, while Vine spent the same month banning sexually explicit content from its service. A small indie app entering now is competing not just against two products but against two monetizing platforms, and the story's wide pickup across Apple-focused and gadget outlets (9to5Mac, App Advice, Cult of Mac, Ubergizmo) shows how much attention any challenger to that duopoly still commands.

First-order effects

  • Hipstamatic must win iOS users on creative differentiation — square-format shooting and its filter heritage — rather than network effects, since Vine and Instagram already own the audiences.
  • Vine and Instagram face their first indie-branded challenger of 2014, though neither is forced to respond immediately given the scale gap.

Second-order effects

  • If Cinamatic gains traction, expect feature convergence: both incumbents can absorb square-format aesthetics and one-tap editing within weeks, as Instagram did when it matched Vine's core loop mechanic last summer.
  • The competitive pressure pushes both platforms further toward creator monetization and brand advertising — the direction Instagram's Omnicom deal already signaled — making audience size, not app quality, the decisive moat.

Third-order effects

  • Mobile video creation keeps collapsing into a few platform-owned networks, squeezing standalone camera apps toward either acquisition targets or niche creative tools — the same consolidation pattern that reshaped photo apps after Instagram.
  • As brands follow audiences into these networks, content moderation and advertiser-friendliness become product requirements, which Vine's March 2014 explicit-content ban foreshadowed for every player in the category.

The trend: Standalone creative apps are being forced to compete against platform-embedded video features backed by advertising revenue, accelerating the consolidation of mobile media around a few social networks.