/
Navigation
Chronicles
Browse all articles
Explore
Semantic exploration
Research
Entity momentum
Nexus
Correlations & relationships
Story Arc
Topic evolution
Drift Map
Semantic trajectory animation
Posts
Analysis & commentary
Pulse API
Tech news intelligence API
Browse
Entities
Companies, people, products, technologies
Domains
Browse by publication source
Handles
Browse by social media handle
Detection
Concept Search
Semantic similarity search
High Impact Stories
Top coverage by position
Sentiment Analysis
Positive/negative coverage
Anomaly Detection
Unusual coverage patterns
Analysis
Rivalry Report
Compare two entities head-to-head
Semantic Pivots
Narrative discontinuities
Crisis Response
Event recovery patterns
Connected
Search: /
Command: ⌘K
Embeddings: large
TEXXR

Chronicles

The story behind the story

← → days · ↑ ↓ browse · Enter similar · o open

Reversing course, Google rejects Adobe Web publishing tech

It can be hard to say no to an idea with some merit — especially after already saying yes.  —  But that's the position Google is in with an Adobe Systems technology for bringing more sophisticated, magazine-style layouts …

CNET Stephen Shankland

Context & Ripple Effects

This is at least the third time Google has walked back a public commitment, following its 2007 video-refund reversal and its 2009 decision to retire Gears in favor of HTML5. The difference here is the direction: where those pivots moved toward open standards, this one withdraws support from Adobe's technology for bringing magazine-style layouts to the Web after having previously signed on.

The story traveled widely on pickup day — Ars Technica among the outlets running it — because it touches the recurring tension in the corpus between Google as gatekeeper and the companies that build on its platforms, a friction New York Magazine labeled 'Googlephobia' back in 2005.

First-order effects

  • Publishers and designers who planned around richer, print-like layouts in Chrome lose the adoption path they thought was secured, and Adobe must now shop the technology to other browser engines or watch it stall.

Second-order effects

  • Adobe's realistic fallback is pushing the layout capability through formal standards bodies, forcing Mozilla and Microsoft to take explicit public positions on a feature Chrome won't ship — and reminding every tool vendor that shipping a Web feature now requires buy-in from the engine owners.

Third-order effects

  • If the pattern holds, the Web's visual and layout capabilities get set by a handful of browser-engine maintainers rather than by the publishing-software companies whose customers want them, extending the same dynamic as Google's Gears-to-HTML5 steering of the platform.

The trend: Control over what the Web can look like is consolidating in the hands of browser vendors, leaving toolmakers like Adobe to lobby standards bodies instead of shipping directly.