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TEXXR

Chronicles

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Exclusive: Apple courts Hollywood for upcoming TV: sources

(Reuters) - Apple Inc began talks earlier this year to stream films owned by EPIX, which is backed by three major movie studios, on devices including a long-anticipated TV, according to two people with knowledge of the negotiations.

Reuters

Context & Ripple Effects

Apple's living-room ambitions have run through Hollywood before: back in January 2008 Business Week reported Apple was closing in on Hollywood, and by April of that year Blockbuster was eyeing streaming-to-TV as the battleground. What is new in this Reuters exclusive is a specific negotiation with EPIX — a streaming venture backed by three major movie studios — that sources say includes devices beyond the existing box, namely a long-rumored full television set.

The pickup pattern shows how hot the rumor ran: within a day the report had been syndicated across at least eight outlets including CNET, Ars Technica, MacRumors and Business Insider. Both key claims — the EPIX talks and the TV set itself — remain unconfirmed, so the analysis below treats them as sourced but rumored.

First-order effects

  • If the talks land, EPIX's studio-backed film library gains distribution across iPhones, iPads, Apple TVs and any forthcoming set, giving the young service instant reach into Apple's installed base.
  • For Apple, a library deal would address the standing criticism that its hardware-led approach stalls without licensed content — the same gap its earlier Hollywood outreach failed to close.

Second-order effects

  • Netflix and cable operators' own streaming efforts face a competitor whose real leverage is device distribution rather than content spend, pressuring them to lock up exclusives of their own.
  • Studios backing EPIX gain a second bargaining table against Apple, strengthening their hand on revenue splits for any future iTunes-style TV arrangements.

Third-order effects

  • Consumer-electronics makers entering the living room are learning that screen hardware is the easy part — content rights are the gate, pushing every hardware entrant toward studio licensing or ownership deals.
  • Studio-backed joint ventures like EPIX become strategic assets precisely because they bundle multiple studios' libraries into one negotiable package, reshaping how content is licensed to platforms.

The trend: Living-room competition is shifting from who builds the best screen to who controls the licensed content pipeline, forcing hardware companies into increasingly deep studio negotiations.