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Apple TV vs. the new Apple TV (2012): what's changed?

The Apple TV might still be a hobby, and thus not the main event at Tim Cook's Apple presentation today, but Apple's participation in the living room has had its fair share of rumors, speculation and dreams.

Engadget Ben Drawbaugh

Context & Ripple Effects

Apple's set-top box has been on a slow arc since the 2008 'take 2' relaunch, through the confused interim captured in NewTeeVee's 2009 'what is going on?' piece, to the cheaper second-generation unit that Jobs positioned as his hobby in 2010. By November 2011 the retail channel was telegraphing a refresh, with Amazon and Best Buy inventory moves read as signals a new model was imminent.

That signal landed today: at Tim Cook's presentation Apple confirmed a 2012 Apple TV at the same $99 price, now handling 1080p, shipping March 16 alongside iTunes 10.6's 1080p support, with a software update bringing the new interface back to existing second-gen boxes. It remains explicitly hobby-status, even as unconfirmed rumors keep pointing toward a fuller television play beyond the box.

First-order effects

  • Buyers get a $99 1080p-capable Apple TV on March 16, while current second-gen owners get the redesigned interface free via software update — Apple is upgrading the install base rather than forcing a repurchase.
  • Content partners move with the hardware: iTunes 10.6 enables 1080p purchases, and AllThingsD reports a Netflix arrangement with Apple plus an iCloud movie service whose studio coverage is shaped by HBO deals locking Fox and Universal out.

Second-order effects

  • Rights holders are now the gatekeepers of what the $99 box can sell — HBO's exclusivity deals fragmenting the iCloud movie catalog show Apple's living-room ambition constrained by licensing rather than hardware.
  • Rivals in the sub-$100 streaming box market face a price-matched, ecosystem-backed competitor, pushing differentiation toward content bundles and services rather than spec sheets.

Third-order effects

  • If the pattern holds — cheap iterative hardware, expanding licensed content, hobby framing maintained — the box functions as a beachhead for the rumored full television offering, letting Apple build viewer habits and studio relationships before committing to a display product.
  • The structure emerging across these cycles is one where the TV itself becomes commoditized glass and the contested layer is the software-plus-rights stack above it, with Apple, cable networks like HBO, and streamers like Netflix each trying to own that layer.

The trend: The living room is consolidating around low-cost streaming boxes tied to licensed-content ecosystems, with Apple iterating its hobby device as a hedge toward a larger television play.