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Rdio Launches Official iPad App, Beating Spotify and MOG

Users of the on-demand music streaming service Rdio now have a much prettier interface from which to browse and listen to songs on their iPads.  The service's official iPad app finally launched earlier today.

ReadWriteWeb John Paul Titlow

Context & Ripple Effects

Rdio has been building its identity around polished native clients rather than web-only playback — the Mac app it shipped in March was singled out for its design, and today's iPad release extends that playbook onto the tablet. The timing matters because Spotify only opened its U.S. service in mid-July 2011, backed by a confirmed partnership with Facebook and, per label sources cited in July reporting, a rumored first-week run of about 70,000 paid U.S. subscribers.

That makes this launch a positioning move: against a heavily hyped, invite-gated entrant still finding its feet in America, Rdio can claim the first official iPad app among the big on-demand services, ahead of both Spotify and MOG. The absence of syndicated pickup or visible public reaction suggests the win is a modest one — a head start measured in months, not a decisive blow.

First-order effects

  • Rdio's subscribers get a native browsing-and-listening interface for the iPad today, completing a client lineup that already includes desktop apps alongside its web player.
  • Spotify, roughly three weeks into its U.S. rollout and reportedly still operating invite-only, now trails Rdio on tablet support despite its larger launch buzz.

Second-order effects

  • MOG and Spotify face pressure to fast-track their own tablet clients, pushing device coverage — not just catalog size or price — to the front of the subscription-music pitch.
  • All three services route their tablet ambitions through Apple's App Store, keeping Apple's approval process an implicit gatekeeper on when each competitor can close the gap.

Third-order effects

  • If polished apps across desktop, phone, and tablet become table stakes for on-demand music, engineering costs rise structurally and favor scaled players — a squeeze on smaller independents like Rdio and MOG as they compete with a well-funded new entrant.
  • The pattern points toward streaming subscriptions being judged on whole-ecosystem experience rather than library access alone, making UI and platform cadence durable differentiators in a market where catalogs converge.

The trend: On-demand music streaming competition in 2011 is shifting from catalog licensing toward cross-device product quality, with the tablet emerging as the newest battleground surface.