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Spotify Signs Universal Music, May Really Get to U.S., After All

Spotify has signed an American distribution deal with Universal Music Group, the world's largest music label.  The pact means that the streaming music company now has U.S. deals in place with three of the four largest labels …

AllThingsD Peter Kafka

Context & Ripple Effects

Spotify's U.S. launch has been a year-long licensing crawl: a Sony deal landed in January (first of the majors), EMI followed in February (with one more to go), and along the way the company prepped supporting moves — confirmed talks with movie studios for a film service, a reworked free tier announced in April, and iPod sync for Premium subscribers in May. Each label signature was framed as progress toward the long-delayed American entry.

Universal Music Group, the world's largest label, was the biggest remaining piece. Signing it gives Spotify three of the four majors — and notable timing: as of May 2011, Universal was still the last major holdout on licensing Apple's cloud music service, meaning Spotify just locked down catalog the rival cloud effort lacks.

First-order effects

  • Spotify now has U.S. deals with three of the four largest labels, removing the main stated blocker to its long-promised American launch — with only one major left to sign.
  • Universal gains a new U.S. streaming licensee at precisely the moment it is withholding catalog from Apple's cloud music service, strengthening its hand across both negotiations.

Second-order effects

  • Apple's cloud music offering launches without the world's largest label unless Universal's terms are met, forcing Apple either to concede on licensing terms or ship with a visible catalog gap against Spotify's full-major lineup.
  • The remaining unsigned major faces growing pressure to follow Sony, EMI, and Universal rather than be the lone absence from both a Spotify U.S. debut and the broader streaming wave.

Third-order effects

  • If the pattern holds, major-label licensing becomes the explicit gatekeeping mechanism for streaming entrants into the U.S. — sequential per-label deals rather than technical readiness determine who competes, and labels extract terms from multiple bidders at once.
  • A fully licensed Spotify entering alongside Apple's cloud push pushes the industry toward treating streaming access as standard catalog distribution, shifting negotiation leverage toward whoever holds exclusive rights at any moment.

The trend: Music streaming's move into the U.S. market is being paced by major-label deal-making, with each license signature converting a stalled foreign entrant into a viable domestic competitor.