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The Socialized and Appified Oscars

It's not just that movie about social networking that will be featured at this weekend's Oscars.  There are also social media and mobile app tie-ins up the wazoo.  Here's a sampling of what's up for the big night:  —  Fans can tweet and Facebook post …

NetworkEffect Liz Gannes

Context & Ripple Effects

The Academy's decision to build tweet-and-Facebook tie-ins into Sunday night's ceremony is the latest step in a shift NewTeeVee flagged back in March 2009, when it traced how virality was moving from email forwards onto Facebook and Twitter feeds — the same channels now wired into Hollywood's biggest night.

It also lands a month after NetworkEffect reported that Netflix is planning extensive Facebook integration across its service, part of a broader run where entertainment companies stop treating social platforms as promotional channels and start building them into the product itself.

First-order effects

  • Fans gain official second-screen participation for the first time at this scale — tweeting and posting through sanctioned tie-ins rather than ad-hoc chatter around the broadcast.
  • The ceremony itself becomes a social object: with 'The Social Network' among the nominees, the night's subject matter and its distribution mechanism point in the same direction.

Second-order effects

  • Broadcasters and studios get a measurable engagement layer alongside Nielsen ratings, giving advertisers a new pitch: the audience isn't just watching, it's producing commentary in real time.

Third-order effects

  • If every major live event adopts this playbook, award shows drift from one-way broadcasts toward participatory formats where the network's value depends on sustaining conversation, not just viewership.

The trend: Live television events are absorbing social platforms as an official engagement layer, converting audiences from viewers into participants.