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Apple Officially Ends ‘Get a Mac’ Campaign, Revamps 'Why You'll Love a Mac' Feature

Last month, actor Justin Long revealed that Apple's long-running “Get a Mac” ad campaign, in which he appeared as the “Mac” character, appeared to have been discontinued.  The last set of “Get a Mac” commercials had been released in October 2009.

MacRumors Eric Slivka

Context & Ripple Effects

The retirement closes out a comparison-marketing lineage that ran back at least to Apple's 'Don't Give Up on Vista' web ad in November 2007 — an era when Apple's pitch was defined by who it was against. The final batch of 'Get a Mac' commercials aired in October 2009, and actor Justin Long revealed last month that the campaign appeared finished; today Apple made that official while revamping its 'Why You'll Love a Mac' web feature as the replacement vehicle.

The timing lands amid a crowded Apple moment: confirmed iPad sellouts ahead of the international launch, mounting (though unconfirmed) reports that the iPad is outselling the Mac, and continued pressure on Adobe over Flash. Retiring a PC-versus-Mac format just as the product line widens beyond the PC reads as deliberate repositioning rather than simple fatigue.

First-order effects

  • Justin Long's run as the 'Mac' persona ends, and Apple's Mac messaging moves from broadcast comparison spots to the revamped 'Why You'll Love a Mac' page — an owned channel where Apple controls the framing entirely.
  • Microsoft loses its most visible recurring foil; the direct Windows-and-Vista attack line Apple had run since 2007 disappears from Apple's public voice.

Second-order effects

  • With no rival being caricatured on air, competitors lose the free rebuttal stage that comparison ads handed them, and Apple's message discipline consolidates around its own properties during the iPad launch window.
  • If unconfirmed reports that the iPad is outselling the Mac hold up, Apple's marketing weight visibly tilts toward post-PC devices, leaving the Mac to be sold on product merits rather than rivalry.

Third-order effects

  • If the pattern holds, platform vendors shift from celebrity-fronted comparison campaigns toward product-storytelling on their own sites — a structural move away from adversarial advertising as lineups expand across phones, tablets, and PCs.
  • A vendor competing in many hardware categories at once has less to gain from attacking any single rival, pushing the industry toward broader brand campaigns and leaving comparison formats to smaller challengers.

The trend: Tech platform advertising is moving from celebrity-driven us-versus-them campaigns toward owned-channel product storytelling as vendors' lineups spread across multiple device categories.