/
Navigation
Chronicles
Browse all articles
Explore
Semantic exploration
Research
Entity momentum
Nexus
Correlations & relationships
Story Arc
Topic evolution
Drift Map
Semantic trajectory animation
Posts
Analysis & commentary
Pulse API
Tech news intelligence API
Browse
Entities
Companies, people, products, technologies
Domains
Browse by publication source
Detection
Concept Search
Semantic similarity search
High Impact Stories
Top coverage by position
Sentiment Analysis
Positive/negative coverage
Anomaly Detection
Unusual coverage patterns
Analysis
Rivalry Report
Compare two entities head-to-head
Semantic Pivots
Narrative discontinuities
Crisis Response
Event recovery patterns
Connected
Search: /
Command: ⌘K
Embeddings: large
TEXXR

Chronicles

The story behind the story

← → days · ↑ ↓ browse · Enter similar · o open

Apple's Secret Cloud Strategy And Why Lala Is Critical

This is a guest post from Michael Robertson, a 12-year veteran of the digital music business.  He is the founder and former CEO of digital music pioneer MP3.com.  He is currently the CEO of music locker company MP3tunes.

TechCrunch

Context & Ripple Effects

The arc here is short but pointed: Lala shipped an iPhone app that streams a user's library from the cloud back in March 2009, and by December Bloomberg had Apple in talks to buy the service. Michael Robertson — writing as CEO of rival locker MP3tunes after founding MP3.com — is arguing that the talks point at something bigger than a talent deal: that Apple's unconfirmed cloud music strategy runs through Lala's streaming infrastructure.

The framing matters because of who it comes from. Robertson has spent years running a cloud music locker, so his claim is both an insider read on where downloads are heading and a warning from someone whose own product sits squarely in Apple's path. The strategy itself remains rumored — neither Apple nor Lala has confirmed a deal or a cloud plan.

First-order effects

  • Lala becomes an acquisition target whose value is its working cloud-streaming stack — the same capability demonstrated in its March 2009 iPhone app — rather than its standalone user base.
  • Independent locker operators like Robertson's MP3tunes face direct competitive risk if Apple enters cloud music with device-level distribution they cannot match.

Second-order effects

  • A confirmed Apple move into streaming lockers would force Amazon and Google to accelerate their own cloud music plans, turning storage-and-streaming rights into the next licensing battleground with the major labels.
  • Labels gain a second negotiation front: any Apple cloud service needs streaming or locker licenses, shifting leverage away from the per-track download economics Apple helped establish.

Third-order effects

  • If the pattern holds, digital music ownership migrates from files users hold to licensed cloud libraries controlled by platform companies — with specialists like Lala and MP3tunes absorbed into or squeezed out by hardware-and-store ecosystems.

The trend: Digital music is shifting from downloaded file ownership toward platform-operated cloud lockers, and the race to acquire streaming-capable specialists like Lala is the visible edge of that migration.