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Smule, creator of hit iPhone music apps, raises $8M more

Smule, the company behind popular, music-based iPhone apps like Ocarina and I am T-Pain, has raised $8 million in a third round of funding.  —  The Menlo Park, Calif. company's apps usually take advantage of the iPhone's capabilities in cool …

VentureBeat Anthony Ha

Context & Ripple Effects

Smule built its reputation on titles that treat the iPhone's hardware as an instrument — Ocarina turns breath into sound, and I am T-Pain puts Auto-Tune-style pitch processing in users' hands — an approach the company describes as deliberately exploiting the device's capabilities. The $8 million third round reported by VentureBeat on December 16, 2009 is capital following that thesis: investors are backing a Menlo Park studio whose products exist only because of what the iPhone can sense.

First-order effects

  • The round extends Smule's runway beyond single-title economics, letting it keep shipping sensor-driven apps without requiring each release to be self-funding.
  • Artists whose brands Smule licenses — T-Pain being the proof case — gain a recurring software channel alongside recorded music.

Second-order effects

  • Rivals in the App Store's music category now compete against a better-capitalized studio that pairs celebrity branding with custom audio engineering, pressuring them toward similar artist tie-ups.
  • Apple benefits on both sides: apps that showcase the microphone and accelerometer sell the device's differentiators, reinforcing why developers build capability-first rather than port-first.

Third-order effects

  • If funded studios keep proving that phone sensors can host genuine musical instruments, the App Store shifts from a novelty-app bazaar toward a professionalized market where venture-backed teams define categories.
  • The pattern points toward music creation itself migrating onto phones, with labels and artists treating app-based distribution as standard catalog infrastructure rather than a marketing stunt.

The trend: Smartphone hardware is becoming a legitimate musical instrument surface, and venture capital is professionalizing the App Store studios that build for it.