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Chronicles

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Napster moves to MP3-only music download format

NEW YORK (Reuters) - Napster Inc, one of the largest digital music retailers, said on Monday it would start selling downloads in the MP3 format from the second quarter of this year in the latest blow to copy protection for songs bought online.

Reuters Yinka Adegoke

Context & Ripple Effects

Napster's announcement lands weeks after Billboard framed the market as at a tipping point for MP3s in November 2007, and it converts that framing into a concrete commitment: from Q2 2008 the retailer will sell downloads exclusively in unprotected MP3 rather than protected formats. The move follows a December 2007 rebranding push in which device makers including SanDisk, Nokia and Creative sought compatible music from Napster — interoperability was already the commercial argument.

The symbolism is heavy given the brand's history: the company that popularized file sharing is now, as a legal retailer, among the largest to drop copy protection outright. Syndicated reaction captured the mood — Download Squad called it another nail in the coffin for DRM.

First-order effects

  • Buyers of Napster downloads gain files that play on any device, ending the lock-in between the store they bought from and the player they own — directly serving the SanDisk, Nokia and Creative compatibility demands from December 2007.
  • Napster's own catalog strategy flips: sales revenue now rests on price and convenience rather than format captivity, since MP3 purchases carry no switching cost.

Second-order effects

  • Rival download stores still selling protected files face a competitive gap on interoperability, pressuring them to match MP3 catalogs or justify why their songs work on fewer devices.
  • Labels lose a lever: when a top-tier retailer sells only unprotected files, per-store DRM requirements become harder to enforce without ceding shelf space to competitors.

Third-order effects

  • If the pattern holds, copy protection retreats from retail to become a licensing negotiation point between labels and services, while the consumer-facing question shifts to ownership versus subscription models.
  • Device makers gain structural power: hardware that plays open MP3 no longer needs label-blessed store partnerships, weakening the closed ecosystem model for portable music.

The trend: Digital music retail is abandoning copy protection store by store, with major retailers converting to DRM-free MP3 catalogs and forcing the rest of the market to follow.