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Chronicles

The story behind the story

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World's largest music retailer ditches DRM, not censorship

Like a frog slowly turning into a princess, Wal-Mart's music download store has grown far more attractive now that it offers 256kbps unrestricted MP3 tracks from both EMI and Universal.  It won't win over fans who like the other features …

Ars Technica Nate Anderson

Context & Ripple Effects

EMI moved first, pulling copy protection from its iTunes catalog roughly a month before this launch — and its year-to-date digital album share ticked up in the month after the change, giving labels early evidence that stripping DRM did not cost them sales. Now Universal has licensed its catalog into a second DRM-free storefront, and the buyer is Wal-Mart selling DRM-free digital music rather than Apple.

That choice matters because it takes unrestricted MP3s beyond the iTunes ecosystem: Wal-Mart is described as the world's largest retailer, and its entry means two of the four majors are now supplying unprotected 256kbps files to a mass-market channel outside Apple's control.

First-order effects

  • Download buyers gain 256kbps MP3s from EMI and Universal that play on any device or player, ending the format lock-in of Wal-Mart's earlier protected-WMA files.
  • Apple loses its practical exclusivity over DRM-free major-label music: Universal's catalog is now reachable through a rival storefront at retail scale.

Second-order effects

  • With EMI's post-DRM digital share holding up and two majors now licensing freely, the remaining labels face mounting pressure from both stores and consumers to open their catalogs too — each holdout becomes the exception that competitors can market against.
  • Competition between download stores shifts from catalog access to price, quality, and player compatibility, since DRM-free files make switching between services nearly frictionless.

Third-order effects

  • If the pattern holds across all four majors, copy protection stops being a differentiator and digital music retail reorganizes around open MP3s — which would strand existing DRMed libraries whose playback depends on store-run authentication servers, an exposure the industry has barely begun to price in.
  • The store-to-store portability of unprotected files points toward consolidation around whichever retailers win on convenience and price, weakening the lock-in advantage that made the dominant store sticky.

The trend: Through 2007 the major labels are dismantling DRM one storefront and one label at a time, moving digital music toward unprotected files as the default rather than the experiment.