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CE-Oh no he didn't!  Part XX - Warner Music CEO "fairly certain" his kids pirate music

We're going to assume you're well versed with the RIAA, just about the most god-forsaken industry group that ever did roam the earth (much like its unofficial partner in crime, the MPAA) …

Engadget Ryan Block

Context & Ripple Effects

By late 2006 the RIAA's litigation campaign against individual file-sharers is in its fourth year — more than 7,000 suits filed in 2005 alone, with statutory damages claimed at $750 to $30,000 per song, and the group's tactics drawing fire after it moved to depose the children of a deceased defendant in the Scantlebury case. Against that backdrop, the head of one of the campaign's principal funders — Warner Music — telling an audience he is "fairly certain" his own kids pirate music hands the campaign's critics its most damaging quote yet.

The admission matters because it comes from inside the castle: the same industry group whose lawsuits treat downloading households as defendants now has a major-label chief describing piracy as ordinary behavior in his own home. Engadget's framing — lumping the RIAA and MPAA together as targets of ridicule — reflects how widely that sentiment already runs among the tech-press readership.

First-order effects

  • Warner Music's CEO has publicly undercut the moral premise of the RIAA's sue-the-consumers strategy his label helps fund, handing defense lawyers, bloggers, and opposing politicians a quotable admission that piracy persists inside the industry's own executive suites.

Second-order effects

  • Other label chiefs and trade-group officials face pressure to either distance themselves from the litigation campaign or defend a strategy their own peer has just called unworkable in practice, raising the internal political cost of every new John Doe filing.

Third-order effects

  • If senior label executives privately concede that unauthorized copying is normal household behavior, the enforcement-first model built on thousands of individual lawsuits becomes harder to sustain politically, pushing the industry toward licensing and business-model answers to file-sharing instead.

The trend: The record industry's litigation-led war on its own customers is losing credibility from within, as the executives funding it admit piracy is ordinary behavior in their own homes.