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Chronicles

The story behind the story

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A look at BookScan, a subscription service for book sales data, exclusive to publishing executives, and its open-access alternative Post45 Data Collective

Public Books Melanie Walsh

Context & Ripple Effects

BookScan sits at the center of an information asymmetry in publishing: its subscription sales data is restricted to publishing executives, while everyone else — authors, agents, academics — works blind. The related coverage shows exactly how much that data is worth: NYT reporting on ByteDance's publishing push leaned on BookScan figures showing 100+ large BookTok authors generated $760M in 2022 sales, the kind of market intelligence that shapes acquisition and marketing decisions.

Post45 Data Collective's open-access alternative attacks that gatekeeping directly. It arrives amid broader pressure on publishing's closed structures — from Bookshop.org's 3K+ partner affiliate model channeling revenue to indies, to publishers restricting library ebook lending at ~$40 per copy. The question is whether sales data follows the same path from walled garden to shared infrastructure.

First-order effects

  • Authors, agents, and researchers gain direct access to sales figures that were previously visible only inside publishing houses, letting them benchmark their own books against the market without an intermediary.
  • Publishing executives lose a proprietary edge: the informational advantage that informed acquisition bids and print-run decisions is now partially replicable by anyone using Post45's dataset.

Second-order effects

  • Data-savvy entrants like ByteDance, whose publishing push was already informed by BookScan's $760M BookTok-author tally, face competitors armed with the same numbers — leveling the playing field critics flagged as uneven.
  • Agents and authors can anchor negotiations in verifiable sales data rather than publisher-reported figures, shifting leverage in deal-making toward the sell side.

Third-order effects

  • If open datasets reach parity with paid ones, market intelligence in publishing structurally migrates from a subscription moat to shared infrastructure, pressuring data vendors to compete on timeliness and granularity rather than exclusivity.
  • The pattern echoes publishing's other contested gates — library lending terms, affiliate distribution — pointing toward an industry where access to sales and performance data becomes a standard right of authors and researchers rather than an executive perk.

The trend: Book publishing's market intelligence is migrating from executive-only subscriptions toward open-access datasets, with Post45 Data Collective as the test case against BookScan's gatekeeping.

Discussion

  • @mkirschenbaum Matthew Kirschenbaum on x
    The issues and concerns raised in the “Where is All the Book Data?” cluster in @PublicBooks mirror my own when I looked at the question of archival data preservation in the industry in my Books.Files report undertaken in conjunction with the @BISG: https://drum.lib.umd.edu/...
  • @susanleewrites Susan Lee on x
    The most surprising thing in this article is the COST for access to Bookscan. That, coupled w/ the industry-wide acknowledgement/acceptance that Bookscan isn't even entirely accurate makes the fact that we rely so heavily on these number utterly baffling and bananas. https://twit…
  • @intelwire @intelwire on x
    Aside from the rightly noted biases in BookScan data, I can tell you from personal experience that it's wildly inaccurate to actual sales https://twitter.com/...
  • @sesmith S. Eek Smith on x
    I think people outside of publishing do not fully understand the completely bewildering and wild set of uh ‘business practices’ that hold sway in the industry. https://twitter.com/...
  • @_ryanruby_ Ryan Ruby on x
    This article by Melanie Walsh is more than just important research, it's a public service. A must read for scholars, authors, and anyone interested in publishing literacy about how access to sales data is controlled by the industry—and the ventures that are democratizing it. http…
  • @mckinneykelsey Kelsey Mckinney on x
    it is truly so funny whenever I have to explain to anyone in media or hollywood that we have no idea how many copies of books sell. one of my favorite convos https://twitter.com/...
  • @edburmila Ed Burmila on x
    Never ask an author how many copies their book sold. Not because it's a rude question, but because they literally have no idea and if they try to find out nobody tells them. https://twitter.com/...