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Chronicles

The story behind the story

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Studio executives embraced Silicon Valley's magical thinking of hypergrowth and disruption for the past 10 years, only to slash worker pay as the boom times end

In one respect, the actors and writers of Hollywood uniting on the picket lines in a historic, industry-shaking strike is a tale as old as time …

Los Angeles Times Brian Merchant

Context & Ripple Effects

Hollywood’s labor conflict had already escalated when the Writers Guild struck after talks over pay and AI failed, a dispute involving major streaming-era buyers whose negotiations broke down over compensation and AI. Coverage also identified Netflix as a focal point for complaints that streaming had weakened residual economics and working conditions as streaming changed the economics of creative work.

This story places the actors’ and writers’ unified action in that broader arc: a growth-first studio strategy is colliding with the compensation model used to support the people making its programming.

First-order effects

  • Actors and writers gain a shared bargaining front against studios as pay cuts and disrupted residual models become central labor issues.
  • Studios face immediate production disruption and heightened pressure to resolve compensation terms with the creative workforce.

Second-order effects

  • Streaming-led studios must reconcile growth-oriented cost structures with the need to retain writers and performers, making labor terms a more direct constraint on content budgets.
  • The dispute broadens scrutiny of how studios deploy AI: a failed negotiation over pay and AI has made technology governance part of the labor bargain rather than a separate operational decision.

Third-order effects

  • If the pattern persists, Hollywood’s streaming transition will be judged less by subscriber-scale ambitions than by whether its revenue model can sustain residuals and career stability for creative labor.
  • Labor agreements could become a key mechanism for setting the acceptable commercial use of AI in entertainment, rather than leaving those boundaries solely to studios and technology providers.

The trend: Hollywood is moving from a streaming-era hypergrowth playbook toward a harder negotiation over who bears the costs and captures the value of digital distribution and AI-enabled production.

Discussion

  • @rodhilton@mastodon.social Rod Hilton on mastodon
    💯 Studios could have focused on producing film and TV to sell to tech companies like Netflix to fill their libraries.  —  Instead they decided to compete with Netflix and launch their own streaming services, and became unwitting tech companies.  —  Turns out running a tech compan…
  • @lucybeahere@mastodon.social Lucy B on mastodon
    @tob @carnage4life  —  Were the studios really not being adequately compensated for the material on Netflix?  Or was it that no one can resist squeezing every last bit of blood from a stone?  It seems there are so many streaming services now that it is difficult to have enough ma…
  • @sonyasteele@mastodon.social Sonya Steele on mastodon
    LA Times:  —  Silicon Valley's invasion of Hollywood brought with it science fictional notions of growth for the industry, a penchant for secrecy and unaccountability and the expectation that it could get away with treating workers like robots or invisible code. …
  • @aleciabatson@mastodon.social Alecia Batson on mastodon
    “It's a sticking point in negotiations—#actors & #writers on streaming series want a better way to calculate the value of work, given the residuals they earn are so much lower than for network or cable... ‘The reason nobody wants to open the books is because if Wall Street got a …
  • @chris_o_lukens Christopher O. Lukens on x
    Becoming clear that Netflix has no intention of meeting any demands nor opening their cooked books. Both would ruin them. Suspect it's going to be about getting every non-Netflix studio to peel off and cut deals. #wgastrike #wgastrong #sagaftrastrong
  • @ambermac Amber Mac on x
    “It's not, ultimately, technology that's at the root of the problem. It's that the studio executives both new and old have embraced the powerful — and ultimately disastrous — magical thinking pumped out by Silicon Valley for the last 10 years.” https://www.latimes.com/...
  • @klingebeil @klingebeil on x
    “As with the biggest companies of Silicon Valley's magical thinking era, it's often hard to parse whether the ones touting the game-changing technologies themselves even believe in these visions” https://www.latimes.com/...
  • @warrenleighttv Warren Leight on x
    Column: Hollywood is on strike because CEOs fell for Silicon Valley's magical thinking https://www.latimes.com/...
  • @parismarx Paris Marx on x
    It's not “technology that's at the root of the problem. It's that the studio executives both new and old have embraced the powerful—and ultimately disastrous—magical thinking pumped out by Silicon Valley for the last 10 years.” Must read from @bcmerchant! https://www.latimes.com/…
  • @russ1mitchell Russ Mitchell on x
    Excellent points here. One is data secrecy. Another, how Silicon Valley execs get rich while screwing the workforce. I started covering “high tech” in the 80s. Grove, Gates, Jobs. Great promise! Now, road to dystopia. https://www.latimes.com/...
  • @jomc Joanne Mcneil on x
    Excellent work by Brian threading the needle & offering a concise history of how Hollywood became Silicon Valleyfied https://www.latimes.com/... [image]
  • @bcmerchant Brian Merchant on x
    A big reason Hollywood is coming apart right now is that executives fell for Silicon Valley's magical thinking — and just like so many tech co's that fail to deliver on promises of endless growth, they're taking it out on workers https://www.latimes.com/...
  • @annienavar Annemarie on x
    This is a really solid overview of how Silicon Valley's economics are fake and other industries like Hollywood have really fucked themselves up trying to copy them when they actually do things that aren't fake https://www.latimes.com/...
  • @jayhasrajani Jay Hasrajani on x
    I've been thinking and discussing this with peers for a long while. It seemed like at some point the entertainment industry forgot themselves and tried their best to become a tech company, without realizing the alarming risks involved... https://www.latimes.com/...
  • @somebad … Aaron Stewart-Ahn Strike‼️ on x
    This is a huge bullseye of an article and exactly why our strikes are not just about us but about all labor. What they are trying to do to us with A.I. and freelance status they will / are doing to healthcare, education, and transportation & more.